This is one of a series of summary posts around a specific topic, bringing together five relevant posts from the past.

This summary is all about vocal range: how it’s relevant to being in a choir and how you might go about finding where you fit.
This is one of a series of summary posts around a specific topic, bringing together five relevant posts from the past.
This summary is all about vocal range: how it’s relevant to being in a choir and how you might go about finding where you fit.
As mentioned, I recently started going to line dancing classes.
What I hadn’t expected is that I’m learning so much about becoming a better singing workshop leader.
I mentioned briefly in last week’s post the implicit contract between performers and audience.
I’d like to look at the idea in a little more detail.
I was on holiday in Portugal recently when I heard a group of young people coming towards me singing. It seemed like it was some kind of street protest and made me feel a little uncomfortable.
Then there was the guy on the train next to me singing quite loudly to himself, which was quite irritating. It made me wonder: are there only certain situations when it’s OK to sing in public?