Most of the singers who attend my workshops are in their 60s and 70s. Many of them having been coming to my singing events for years.
The other day, somebody asked if I’d noticed whether they struggled more with learning songs as they got older.
Most of the singers who attend my workshops are in their 60s and 70s. Many of them having been coming to my singing events for years.
The other day, somebody asked if I’d noticed whether they struggled more with learning songs as they got older.
You’ve tried Slimming World, Weight Watchers, weight-loss jabs, Aunty Jean’s herbal concoction, but nothing works.
It’s time to sing!
Singers often say how tired they feel after a rehearsal or workshop.
Paradoxically, singers who arrive tired at the start often leave feeling energised. What’s going on?
At the end of a recent residential singing weekend I was acutely aware of absence when everyone had left. The silence was almost painful.
It got me thinking about the different kinds of silence in singing.
I’m amazed at the number of singers who miss the starting note of a song, but then carry on regardless.
You have several options if you miss the start note, but one of them definitely isn’t: “sing anyway”!
I wrote last week about how No choir can be all things to all singers. Some singers prefer sheet music, others learn best by ear. Some love movement and performance, others just want to stand still and sing.
Here are some of the most common tensions that arise — and a few ways to navigate them.
You can’t please all your singers all the time (see Keeping a choir happy – you can’t please everyone).
There will inevitably be times when some singers want one thing while others want something very different. How do you keep everybody happy?
In my experience, when it comes to moving and singing at the same time, men seem to find it hardest.
Why is this, and are there ways to help?
When I ran community choirs, I used to insist that singers stood during rehearsals. But some complained that their legs ached by the end of the evening.
Now I usually get people to sit for singing sessions. But recently some singers have complained because they prefer to stand! Is there a middle way to keep everybody happy.
A couple of things recently reminded me just how important mistakes are when learning something new.
One was performer, song leader and composer Brendan Taaffe’s substack The most important thing you can do is fail, and the other was a voice, body and rhythm workshop I attended.
When someone doesn’t like what you do, it can make you wobble and start to doubt whether you’re any good.
But not everyone is going to like what you have to offer. Once you accept that, it’s easier to move on.
Looking for a last-minute Christmas gift? Why not introduce someone to singing?
Unlike a box of chocolates or a pair of socks, singing lasts a lifetime.
Many choirs perform outdoors during the winter, especially in the run-up to Christmas.
Here are some tips to help make the experience as pleasurable as possible.
A couple of things this week reminded me how important mistakes are when learning something new.
One was performer, song leader and composer Brendan Taaffe’s substack: The most important thing you can do is fail”, and the other was a workshop I attended on Voice, Body and Rhythm with Helen Chadwick and Tania Bosak.
I was trying to come up with an idea for this week’s blog post, but everything I thought of I’d already written about!
For a moment, I started to worry that I’d run out of things to say about choirs and singing. Surely that can’t be true — can it?
Over the years, countless singers have told me how much choir has supported their mental wellbeing.
There’s no doubt: singing together has real therapeutic benefits. But we need to be clear — it isn’t the same as therapy.