But when you’re part of a choir you have to rein in those tendencies for the greater good of the overall sound. How do you achieve that balance without feeling restricted?
Learning and polishing a song can be a long process. Some people find it a chore and can’t wait to get to the end result: a public performance.
But others enjoy the ride, going deeper into the song, finding the nuances, becoming immersed in the whole process and not having any particular end in sight. However, process and product don’t have to be different things.
Most of the people who come to my singing workshops are in their 50s and pretty much all of them have a story to tell about the time someone told them they couldn’t sing.
Many of the stories date back to the time when they were at primary or even infant school. What amazing power a throwaway remark like “Just stand at the back and mime” can have!
If you’re in a choir you’ll be used to singing your harmony part surrounded by others singing the same thing. But it seems much harder to hold a part by yourself when you’re in a small group.
In this post I’ll show you how easy it is, how it’s your own head that gets in the way, and I’ll also outline a process that your choir can use to help train singers to hold a part on their own.
Certain people are rather dismissive of “Singing for fun” choirs. If it’s for fun then it can’t possibly be of any quality.
Then I got to wondering: what are their choirs like? What’s the opposite of “Singing for fun”? — “Singing for boredom”? “Singing for misery”? I know which choir I’d rather be in!