When someone doesn’t like what you do, it can make you wobble and start to doubt whether you’re any good.
But not everyone is going to like what you have to offer. Once you accept that, it’s easier to move on.
When someone doesn’t like what you do, it can make you wobble and start to doubt whether you’re any good.
But not everyone is going to like what you have to offer. Once you accept that, it’s easier to move on.
When singers join a non-auditioned choir, they are usually expected to choose the voice part that suits them — without any help.
Over time, singers in community choirs can begin to wonder if they’ve chosen the right part. Here’s a simple way of carrying out a vocal range test with the whole choir.
It’s very easy for singers to stay in the same voice part in choir, even though it may not be the best place for them.
Lovemusic Community Choir by Patrick_Down is licensed under CC BY-NC 2.0.
Rather than assume you can’t sing that high (or low), why not put it to the test? You might be surprised.
Many people would love to sing, but something is holding them back.
Here are five common obstacles that can easily be overcome.
I’ve now outlined all three steps to becoming a singer: 1: sing, 2: join a choir and 3: be self-aware.
Now here is a bonus fourth step: relevant posts from the archives.
Lots of people often tell me a similar story: someone they know is planning to go professional, but they can’t sing in tune.
Should they be told, or be allowed to make a fool of themselves in public?
This is one of a series of summary posts around a specific topic, bringing together five relevant posts from the past.
This summary is all about looking after your voice, especially in the winter months or when you have a busy concert season or if feasting is involved.
Last week I wrote about the notion of being “good enough” and how it could be applied to choir leaders: The good enough choir leader.
This week I want to look at how singers can usefully use this idea.
I was honoured to be invited for a video interview/chat recently with New Zealand singer, musician and composer Tony Backhouse.
One of the things we discussed was how we like music to be honest, gutsy, muscular and authentic. But how to describe exactly what we mean?
You don’t have to be the best, or famous, or sing to a professional standard.
Singing is reward enough in itself.
In a recent blog post, Robert Sussuma urges singers to “stop warming up, doing exercises, and practising.”
He is being a little provocative, but it has prompted me to reflect on whether singers need to warm up or not before singing.
As a member of the Natural Voice Network (NVN), I share a belief that our voices are rooted in our bodies.
But it’s not just the NVN, most professional singers believe this too.
Many singers in community choirs choose for themselves which part they sing. They are not allocated a part by having a vocal range test.
This might work for a while, but what if you’ve chosen the wrong part? Also, voices change over time. Maybe it’s time to change parts?