Why can't I hit the right note, and can it be taught?

Some people believe that singers can either hit the right note or they can't. That's why many choirs audition before you can join. 

But like any physical skill — playing the violin or scoring goals, for example — it's something that can be learnt.

How volunteers can help run to your choir more smoothly and with less stress

I’ve written in the past about how to get choir members to volunteer for supporting roles.

But what I didn’t mention was what kind of roles they might fulfil. Here are some ideas.

The practicalities of running a singing event: 7 tips for absolute beginners

When talking about choir rehearsals or singing workshops, the emphasis is always on the musical skills involved: teaching, conducting, vocal training, etc.

But if you don’t get the basic practical elements right, then the singing event won’t work.

Warm ups for singers: 5 relevant reads

Last week I wrote about Why a warm up shouldn’t be just vocal exercises. 

This week I’m going to revisit five old posts which look at warm ups in more detail. This is one of a series of summary posts around a specific topic, bringing together five relevant posts from the past.

Why a warm up shouldn’t be just vocal exercises

Many of us choir leaders are constantly on the look-out for new warm up ideas.

Whenever I look on the internet, I always come across sheet music for vocalises. But these are only a small part of what a warm up should be.

Always listen more loudly than you sing

It always surprises me when singers sing so loudly that they can’t hear the rest of the choir.

photo by Constantin Tacke

It’s hearing the other harmony parts that keeps you on the straight and narrow, and it’s where the singing pleasure lies.

A great choir sound is all about balance: backing tracks, arrangements, voice parts, song choice, etc.

I came across a choir doing an outdoor performance recently.

They were really good, but were let down by the balance between backing tracks and the voices.