Sometimes I don’t know what I’m doing. There, I’ve admitted it.

We usually keep quiet when we’re unsure, but I believe it’s much better to own up in public. Here’s why.
Sometimes I don’t know what I’m doing. There, I’ve admitted it.
We usually keep quiet when we’re unsure, but I believe it’s much better to own up in public. Here’s why.
Last week I wrote about song leaders and singers in rehearsal and at workshops feeling that they’ve made a big mistake. Yet nobody noticed: Think it's all going wrong? Spoiler: nobody's noticing!
This week I want to consider live performance, both from the perspective of choir leaders and singers.
I came across an interesting article the other day: Quiet, please! The remarkable power of silence – for our bodies and our minds.
It got me thinking about how vital silence is for singers, singing and choir leading.
… and their lame jokes and teaching style and clothes choice?
Does it matter if they’re really not your kind of person?
We all like to think our choirs are friendly spaces where everyone is equally welcome.
But being in a choir can bring back all sorts of memories of our time at school. All the things we found difficult as children can come back to haunt us.
I don’t often get the chance to be a punter. But this week I went on a two-day voice and movement course and loved it.
It was great to be on the receiving end for a change, and I learnt a lot about what it’s like to be a singer in a group
This is one of a series of summary posts around a specific topic, bringing together five relevant posts from the past.
This summary is about the challenges and opportunities of getting back to choir after the long summer break.
Has your choir been asked to perform at an event for free? Or maybe you’ve been asked to run a singing workshop for a big corporation for ‘exposure’.
It’s easy for people to imagine that there are no costs involved in doing a bit of singing, but that’s far from the truth.
Recently I led a local singing day open to everyone and, as always, we ended up making a great sound.
But talking to people in the breaks, many of those who came claimed that they couldn’t really sing. What’s going on here?
No matter how well-prepared we are, there’s always a chance we’ll forget something.
That’s why it’s important to always remember to bring a spare.
Sometimes an individual choir member needs to be told that they’re getting it wrong.
In our attempt to not be unkind, we can sometimes end up being too nice, which is not helpful.
We went to the theatre the other day and we were the only people in the audience wearing masks.
But in all other ways, we were exactly the same as any other audience member. The same, but different.
It was blue Monday this week: apparently the most depressing day of the year here in the UK.
The short days, bad weather, cold nights, all conspire to rob us of our motivation. Here’s an idea that might help.
Most choirs get to the point where they want to share the songs they’ve learnt with an audience.
But how do you know that the songs are in a good enough state to share?
Everybody talks about the importance of warming up and properly preparing to sing before each rehearsal.
But what about ending a rehearsal? Not as much attention is paid to that. How do we end so singers go away feeling great?
I’ve written before about How to know how loud you should sing in a choir.
But as a choir member you are working as part of a team, so it’s not entirely up to you. It’s all about balance.
No matter how well you plan your singing workshop or performance, you can find yourself with an unexpected slot that needs filling.
Which is why you should always have a spare song or two up your sleeve.