My main skill is as a teacher of songs to those who don’t read music.
Other choir leaders have different skills – like polishing songs for performance.
My main skill is as a teacher of songs to those who don’t read music.
Other choir leaders have different skills – like polishing songs for performance.
People come to my singing workshops because they love to sing.
But first they have to spend time learning songs.
I run singing workshops all over the place (why not book me and try one?!).
At some places the workshops are full and there is a waiting list. At others it’s a struggle to muster a dozen singers. Why is this?
As they say: size doesn’t matter, it’s what you do with it that counts.
The size of your lungs isn’t important in singing, it’s how you use the breath in them.
I’ve always known that I’m more interested in traditional songs, but I’ve only just realised that it’s the vocal quality that I’m most drawn to.
There’s something thrilling and primal about the sound of traditional singers’ voices. How do they achieve that and how does it differ from, say, ‘classical’ singing?