I’m seeing lots of great warm-ups and singing advice online these days. But most of it is aimed at choirs which meet regularly.
Many of these ideas won’t work in one-off workshops. Let’s look at the different needs of each.
I’m seeing lots of great warm-ups and singing advice online these days. But most of it is aimed at choirs which meet regularly.
Many of these ideas won’t work in one-off workshops. Let’s look at the different needs of each.
Recently, there’s been a spate of ‘tricky’ choir warm-up videos on Instagram.
They’re clever and challenging, but I can’t help wondering: do they actually lead to better choir performances?
Most singers know they should warm up before singing — but what exactly should a warm up contain?
I’ve written before about why warm ups matter— see The singers who didn’t like warm ups (and what became of them) — but it’s worth looking more closely at what actually makes a warm up effective.
Last week I wrote about Why a warm up shouldn’t be just vocal exercises.
This week I’m going to revisit five old posts which look at warm ups in more detail. This is one of a series of summary posts around a specific topic, bringing together five relevant posts from the past.
Many of us choir leaders are constantly on the look-out for new warm up ideas.
Whenever I look on the internet, I always come across sheet music for vocalises. But these are only a small part of what a warm up should be.
My partner is always sending me videos with ideas for singing warm ups, usually involving complex clapping or stepping.
I tell her that they will be too difficult for the singers I work with. But am I being too safe and under-estimating the singers’ abilities?
I’m always looking for new ideas for the warm up start of my singing sessions.
But constant novelty is not necessarily a good thing. It can often lead to overlooking old, familiar, tried and tested exercises.
Everybody talks about the importance of warming up and properly preparing to sing before each rehearsal.
But what about ending a rehearsal? Not as much attention is paid to that. How do we end so singers go away feeling great?
Familiarity breeds contempt. If you do the same thing over and over again it can become boring.
However, constantly introducing new things can be hard work and it can feel like you never arrive. How do we maintain a balance between these two extremes?
I give an introductory pep talk at the start of all my singing workshops.
The aim is to give out useful information, but also to reassure and relax the singers.
In a recent blog post, Robert Sussuma urges singers to “stop warming up, doing exercises, and practising.”
He is being a little provocative, but it has prompted me to reflect on whether singers need to warm up or not before singing.
As a member of the Natural Voice Network (NVN), I share a belief that our voices are rooted in our bodies.
But it’s not just the NVN, most professional singers believe this too.
I thought I’d share a few vocal exercises that I use to help singers tune in to a cappella harmony.
I often integrate these into the warm up sessions to get people listening more closely before we move on to learning harmony songs.