Put me in front of a huge crowd of strangers and I’ll perform loud and proud.
But in a room full of friends and family I get embarrassed and stumble. Why is this?
Put me in front of a huge crowd of strangers and I’ll perform loud and proud.
But in a room full of friends and family I get embarrassed and stumble. Why is this?
A while back I taught a song wrongly. Not for the first time!
Even though I corrected myself quickly, the original version stuck in people’s minds and now they can’t shift it.
My main skill is as a teacher of songs to those who don’t read music.
Other choir leaders have different skills – like polishing songs for performance.
People come to my singing workshops because they love to sing.
But first they have to spend time learning songs.
I run singing workshops all over the place (why not book me and try one?!).
At some places the workshops are full and there is a waiting list. At others it’s a struggle to muster a dozen singers. Why is this?
As they say: size doesn’t matter, it’s what you do with it that counts.
The size of your lungs isn’t important in singing, it’s how you use the breath in them.
I’ve always known that I’m more interested in traditional songs, but I’ve only just realised that it’s the vocal quality that I’m most drawn to.
There’s something thrilling and primal about the sound of traditional singers’ voices. How do they achieve that and how does it differ from, say, ‘classical’ singing?
A budding choir director writes:
“I had prepared and arranged four songs, but the other person who leads the choir kept on asking the choir what they would like to do and of course they come up with ‘pop songs’.
“Would you ask a choir what they would like to do? The work I do with the choir is voluntary so I don’t really want to spend hours of time arranging if then we are only going to do pop songs - although I’m happy to do the odd one.”
After the long summer break, I used to arrive really early at the first choir session, sit by the door, and worry that nobody would come back.
I worry less now, but there are still many things to consider after your choir has had a long break.
I’ve been asked to create a choir specially for an inter-faith event.
There will be contributors from Islam, Christianity, Judaism, Hinduism, Buddhism and more. Plenty of songs to choose from. But what about atheists? Will they be represented, and what songs do they sing?
Sometimes I only have to hear two notes of a song and I know what it is.
Often I join in with someone singing a song only to realise that I’m singing a completely different one. What’s going on here?
I had a girlfriend who believed that we are all capable of anything if we just put enough effort in.
She believed that if you fail at something or are not very good at it, then you just don’t want it that much.
Apparently it’s the summer break. The weather is sunny, choir doesn’t start back until September, kids are off school and ice cream vans are cruising the streets.
So how come I’m stuck in the office and seem to be working as hard as usual?
You know those people who sing all the time — when they’re cooking, hoovering, gardening, whatever? Well, I’m not one of them.
I love singing. I earn my living by teaching songs, I enjoy singing with others, I adore listening to singing on CDs and the radio, but I don’t sing around the house.
The other weekend 50 singers performed in public to a large, appreciative audience. We performed eight songs in four part harmony, most in foreign languages and some with dance moves.
The standard was high, the performance was tight and the singers clearly had fun. But this group of singers did not use sheet music, had rehearsed for just six two-hour sessions and welcomed all-comers regardless of singing experience.
Last week I looked at the pros and cons of traditional choir formation vs. mixing parts up (Flying in choir formation – placing singers effectively).
Whichever approach you choose, there are still several choices to be made.
Last week I looked at how singers choose where to stand in their section (Don’t stand too close to me! – finding the right place to stand in your choir). But that assumes that your choir is divided up with all singers in any given part standing together.
But it is also possible to have a mixed formation with individual singers from different parts standing next to each other. What are the advantages and disadvantages of these two alternatives?
In some formal choirs you’re told exactly where to stand when performing. There is often a fixed set-up which varies little from concert to concert.
However, in most community choirs, even though the separate parts might have fixed positions, where you stand within your part is up to you. How do you choose the right place to be?
The OK Chorale are not a performing choir (yet!), but after two terms of hard (but fun!) work, we’ve invited some friends and family along next week to hear some of the songs we’ve learnt.
I’m trying to keep it very low key as it’s the first time many people will have performed so there will be a lot of nerves about. How can we deal with these anxieties?
Singing together creates a real sense of community. Sometimes a choir arises from an existing community, but other times the creation of a choir builds a brand new one.
In most cases people come together simply because they love to sing, but in others there is a real need to join a community of like-minded souls.