How can I extend my vocal range as a singer?

I often get asked this, along with “How can I sing high without hurting myself?”

photo by Allisonnik

There is no quick fix, but here are some ideas that might help you.

Best laid plans – dealing with the unexpected in singing sessions

Always expect the unexpected. No matter how carefully you’ve planned your choir rehearsal or singing workshop, one day something unexpected will happen.



You can’t plan for every eventuality, but there are some precautions you can take. Here are some ideas.

Why can’t I sing low notes with more power and volume?

Many men (and some women) complain about not having much vocal power on low notes.

photo by GigNroll.com

If you have good power, control and volume in the rest of your range then there’s an easy explanation.

Only connect – a brief introduction to social media for choirs

In case you haven’t noticed: this is the modern world.

photo by Yoel Ben-Avraham

If you’re not promoting your choir on social media, then you’re missing a trick. Here’s a handy introduction.

How to sing quietly (without running out of breath)

Some people find it hard to sing quietly. They seem to run out of breath easily and their voice goes all wobbly.

photo by Cristian V.

Why is this and how can you learn to sing quietly?

One recording is worth a thousand photos – use sound to promote your choir

Singing is all about sound, whether it’s a one-day workshop, a live concert or a CD.



I’m amazed at choir websites, concert promotion and singing workshop publicity which is full of photos, but have no sound clips. If you don’t have sound, you’re missing out.

6 ways to stop the strain of other singers relying on you (or you relying on them)

The rehearsal begins and the Altos looks around in panic: “Where’s Carol?” Carol is a strong, confident singer, but she’s not here this week.

Pieter Bruegel the Elder - The Parable of the Blind Leading the Blind (detail)

The trouble is, the Alto section has come to rely on Carol, and now that she’s not here, they’re all a bit lost. How has this situation arisen, and what can be done about it?

10 choir website mistakes to avoid (or how to look professional online)

I was trawling through a bunch of choir websites the other day in order to send out some information about a workshop I’m running.



I was amazed how hard it was to contact many of them and in general how badly designed many of the websites were. I’ve come up with 10 mistakes that you should avoid.

Want to sing with more energy? – pretend to be somebody else

I ran a gospel singing weekend recently. One of the songs was flagging a bit so I suggested people ham it up a bit and be more “American”.


Miranda Sings by Gage Skidmore. Licensed under CC BY-SA 3.0 via Commons

Suddenly the song came to life and everyone was energised. Playing some kind of ‘character’ when you’re singing can really enliven your singing. Here’s how ...

Fit the song arrangement to your singers and not the other way round

Most singers in choirs don’t fit neatly into choral vocal ranges. Yet we try to squeeze them in to our off-the-shelf arrangements, chastising them when they can’t reach the notes.

photo by Garry Knight

How about thinking of your singers first and choosing arrangements that fit their voices rather than the other way round?

How to be a better singer if you’re a mere mortal

When you think you’re not singing well, you’ll often blame yourself. But what if it’s something else, something outside yourself that you can fix quite easily?



Here are some reasons why you might not think you’re a good singer and what you can do about it.

Effective ways to recruit more men for your choir #getmensinging

Lots of mixed choirs don’t have enough male singers, and many established male voice choirs are not managing to find younger recruits (see my series of three posts Men and singing).



Here are some ideas to help you recruit more men and to get men singing in general.

How welcoming is your choir?

I bet you think your choir is a wonderful, friendly little community that welcomes newcomers with open arms.



What if I told you that new members might find your choir scary, cliquey and unwelcoming? Maybe it’s time to look at things from a different perspective.

Sing something simple (and see if your singing is as good as you think it is)

If you’re like me, you’re always tempted to add harmonies to the simplest of melodies whether it’s singing along with others or arranging a song.



But don’t overlook the simplicity of unison singing and drones. These are great ways of finding out if your singing is as good as you think!

Planning ahead: leave space for the unexpected

Many choir leaders will be using the long break to plan their next season.

photo by webmink

But be careful not to over-plan or you won’t be able to respond to the unexpected.

Get out of your singing rut and try something new – it will make you a better singer

I’ve written before about how you can use the long choir break to get better at what you do.

photo by troy

One way is to attend singing workshops lead by a variety of different leaders. It’s a great opportunity to try something new.

How men sing (Part 2) – amazing examples from across the globe #getmensinging

A while back I shared some amazing examples from all over the world of men singing together.



I thought it was about time I shared some more!

Choir leaders: who’ll replace you when you’re gone?

Nothing lasts forever. There will come a time when you will leave your choir and need someone else to take over.



Who will you hand over to and how easy is it to do? Let’s look at some options.

Making the most of your singing voice – it’s not what you’ve got, it’s what you do with it

We are not all born equal. Some have longer legs which helps them to win at hurdles or the high jump. Some have longer fingers which helps them to play jazz chords on the piano.

photo by muzina_shanghai

But what you are born with need not limit what you do. It’s not what you’ve got, it’s what you do with it that counts.

What is your measure of success? – choir leading and self-reflection

How do you know if a choir session or singing workshop or performance has been a success?

photo by shadowkilla_tk

And if it has gone badly, how does that feed back into your teaching and choir directing?