Suddenly the song came to life and everyone was energised. Playing some kind of ‘character’ when you’re singing can really enliven your singing. Here’s how ...
Most singers in choirs don’t fit neatly into choral vocal ranges. Yet we try to squeeze them in to our off-the-shelf arrangements, chastising them when they can’t reach the notes.
When you think you’re not singing well, you’ll often blame yourself. But what if it’s something else, something outside yourself that you can fix quite easily?
Here are some reasons why you might not think you’re a good singer and what you can do about it.
Lots of mixed choirs don’t have enough male singers, and many established male voice choirs are not managing to find younger recruits (see my series of three posts Men and singing).
Here are some ideas to help you recruit more men and to get men singing in general.
I bet you think your choir is a wonderful, friendly little community that welcomes newcomers with open arms.
What if I told you that new members might find your choir scary, cliquey and unwelcoming? Maybe it’s time to look at things from a different perspective.
We are not all born equal. Some have longer legs which helps them to win at hurdles or the high jump. Some have longer fingers which helps them to play jazz chords on the piano.
I teach a song by ear in less than an hour at a workshop. Everyone picks it up really quickly and then they sing it brilliantly.
We’ve been working on the same song with my very accomplished weekly choir for quite some time. They really struggle and it’s like plodding through mud. What’s going on here? It’s all about your head getting in the way.
If a singing workshop is just a couple of hours long, then singers’ energy and concentration will probably be fine.
But for workshops which last a whole day, energy, concentration, focus, boredom, etc. all become factors. What’s the most effective way to pace a long singing workshop?
I like being in charge, as do most choir and singing workshop leaders. Our job mainly consists of telling people what to do and helping them to sing the best that they can.
Trouble is it’s easy to forget what it’s like to be on the receiving end of that. Which is why I always try to attend other singing workshops as a normal participant.
Whether it’s bringing up a family or long-term illness or a bad singing experience, many people find it hard to get back into singing when they’ve been away for a long time.
It always amazes me how surprised people are that a group of strangers can sing harmony together in just a few minutes. It’s not necessary to know the other singers to be able to sing well with them, but some people feel that they need to be introduced.
How can you get a group of strangers to get to know each other quickly without taking up too much time? Here are a few ideas.