This slot has always been problematic: do I do simple songs, slow songs or high energy wake-up songs? Do you go with the flow or try to wake everyone up?
I’ve just come back from my annual visit to the English Lake District to run my summer singing weekend.
On a weekend workshop I always find the first session on the Friday night tricky. There is an air of trepidation and hesitation that’s impossible to avoid. Why is that?
Whether it’s an indoor or outdoor venue, unless there are allocated seats there will always be a few audience members who insist on sitting as far away as possible.
They sit there straining to hear and see what’s going on. Why on earth do they do it?
This made me realise that there’s an art to Googling choirs and maybe some directories that people don’t know about. Here’s a guide to finding the right choir for you.
The world can be a scary and upsetting place. Here in the UK we’re witnessing political infighting, uncertain futures, austerity measures and a rise in racism.
None of us is perfect. There are always things we can do to improve our singing or teaching abilities.
We can learn how to do that at every single rehearsal or singing workshop we attend. Here’s what I learnt from a recent singing workshop – and how you can too.
Many choirs have committees. These are usually made up of choir members and exist to help the choir run smoothly.
At least that’s the idea, but sometimes things can go wrong and your committee can become a hindrance. Here are some tips on how to make the most of your committee.
What can make it even harder is if a man is trying to pitch from a woman, or vice versa. Here’s what happens and how you can overcome any difficulties.