If you want to be a real success, it’s not enough to just do the job at hand. You need to deliver more than is expected.
What does that mean for singers and choir leaders?
If you want to be a real success, it’s not enough to just do the job at hand. You need to deliver more than is expected.
What does that mean for singers and choir leaders?
Here in England, we’re limited to a maximum of six singers rehearsing indoors.

When restrictions are finally lifted (in three weeks we hope), many choral skills will have gone rusty over the last year or more.
This is the last in my series of how to honour the source of a song.
I’m going to sum up briefly give an overview of the process and point you to some further resources which might help.
I’ve written before that even if it’s a folk song, somebody wrote it.

The identity of that individual may have been lost over time, but to honour the song, you still have the responsibility to try to find out who it was.
Just because we can sing a song, doesn’t mean that we should sing it.
It is important to honour the cultural and historical origins of a song so we know whether it’s appropriate to sing it in a different context or not.
When you learn a song — especially if it’s by ear — you take on trust what you’re told about the song’s meaning. This is particularly relevant if the song is in a foreign language.
But meaning is a slippery thing. Incorrect meanings get passed on like Chinese whispers. Some inexperienced song teachers even make stuff up if they’re not sure (see Bele mama from last week’s post).
When honouring the origins of any song, you need to be as precise as you can about where the song came from.

It might be hard to find out, but there is no excuse for being lazy and saying something like “This song is from Africa.” Here are some things to consider when tracing a song’s origins.
There has been some talk of insisting that singers are vaccinated before they can attend choir.

Not only is this problematic, but even if all your singers are vaccinated, there are still risks involved.
Some choirs decided to stop all activities when the pandemic started.

As restrictions begin to ease in many countries, singers are wondering: will my choir still be there?
Many of you won’t have sung with others in a physical space for several months, or even a year or more.

As vaccination roll-out increases and restrictions are eased in many countries, when will it be safe to sing together again in person?
A drone is a note continuously sounded throughout most or all of a song.
But singers have to breathe, so how can this be achieved?
Many of you won’t have sung with others or led a choir over the last year.

Does that mean you can’t call yourself a ‘singer’ or ‘choir leader’ any more?
It’s been a year since I last led a singing workshop with real live people together in a room.

When it becomes possible to lead singing sessions again, will I still be able to do it?
I couldn’t let Christmas pass without a final post before this blog goes into ‘pause’ mode (see Time to hit pause on this blog).

Also, being a numbers nerd, I needed to publish post number 800 to finish on a round number!
I can hardly believe it, but I’ve been writing this weekly blog for 14 years – that’s 798 articles!

I haven’t missed a single week in all that time. Until now.
It’s the time of year when many choirs roll out their familiar winter repertoire. Whether it be Christmas carols or Hanukkah songs, they tend to be the same old favourites.
But what if you want to try something different? Here are some resources for discovering new songs for the winter festivals.