People often ask how much they should charge for leading a workshop or concert.
They usually focus on the professional fee for the contact hours, but forget any travel time involved.
People often ask how much they should charge for leading a workshop or concert.
They usually focus on the professional fee for the contact hours, but forget any travel time involved.
I always thought I ran friendly, welcoming choirs (see How welcoming is your choir?). There was always someone around to buddy new members so they wouldn’t feel left out.
But then one day, a new member said to me that standing around in the break felt like being the new kid in the playground at school.
I like to outsource elements of my teaching practice when leading singing days.
I allow the singers to put chairs out (or not), and to decide how they want to stand. Often, it ends up being a circle. But is that the best way to sing as a group?
I’ve written before about How to know how loud you should sing in a choir.
But as a choir member you are working as part of a team, so it’s not entirely up to you. It’s all about balance.
I’ve pointed out before that too much thinking is bad for singers. See The curse of confusion: why thinking is bad for singing.
In fact, your mouth knows far more than your brain does when it comes to songs!
No matter how well you plan your singing workshop or performance, you can find yourself with an unexpected slot that needs filling.
Which is why you should always have a spare song or two up your sleeve.
I give an introductory pep talk at the start of all my singing workshops.
The aim is to give out useful information, but also to reassure and relax the singers.
I give an introductory pep talk at the start of all my singing workshops.
The aim is to give out useful information, but also to reassure and relax the singers.
I give an introductory pep talk at the start of all my singing workshops.
The aim is to give out useful information, but also to reassure and relax the singers.
I give an introductory pep talk at the start of all my singing workshops.
The aim is to give out useful information, but also to reassure and relax the singers.
I usually try not to use lyric sheets at all. I’d rather have singers with their heads up, watching me and each other.
But sometimes, if a song is in a foreign language, or has lots of words, I’ll put lyrics up.
Whether singer or choir leader, your choir can’t do without you. You are what makes it.
Yet, at the same time, you can be replaced. You are not indispensable.
I’m a big procrastinator. I leave everything until the last minute. If I didn’t have deadlines, I would never get anything done!
But I’ve come to realise that this is my way of working and it has good results. Here’s why procrastination is not necessarily a bad thing.
A little stress can be good for us. It helps us to get things done or to focus on something that needs our attention.
But too much stress can affect our mood, our body and our relationships. How can we put on a successful singing event without getting too stressed out?
This is a series of five posts looking in a light-hearted way at the different types of singers in a typical community choir.
You might have thought that SATB choirs (Soprano, Alto, Tenor, Bass) have just four different voice sections, but you’d be wrong. There is a fifth section known as the Floaters (or Flexitarians).
This is a series of five posts looking in a light-hearted way at the different types of singers in a typical community choir.
I've covered Sopranos, Altos and Tenors. For the last SATB section, here are the Basses. Enjoy! In my final post I deal with Floaters.
This is a series of five posts looking in a light-hearted way at the different types of singers in a typical community choir.
I've covered Sopranos and Altos so far, now here are the Tenors. Enjoy! In other posts I deal with Basses, and Floaters.
This is a series of five posts looking in a light-hearted way at the different types of singers in a typical community choir.
Last week it was the Sopranos, now here are the Altos. Enjoy! In other posts I deal with Tenors, Basses, and Floaters.
This is a series of five posts looking in a light-hearted way at the different types of singers in a typical community choir.
First up are the Sopranos. Enjoy! In other posts I deal with Altos, Tenors, Basses, and Floaters.