Singing allowed

Many people feel that they need permission before they can sing.

Somebody needs to tell them it’s OK before they can even open their mouths. What’s going on here?

You need to dance, then you can sing

There is an old Zimbabwean proverb that says, “if you can walk, then you can dance; if you can talk, then you can sing.”

But I believe that you need to be able to dance in order to sing well. It should be: “if you can dance, then you can sing.”

Explanations for singers need to come in many different forms

Sometimes when we’re learning a new song, a singer might ask a question because they’re having difficulty.

photo by ywammadison

I will then offer what I believe to be a helpful explanation. But sometimes this won’t help every singer.

When conducting a concert, less is more

Many choir leaders over-conduct in concerts.

But if you’ve done the work in rehearsal, you should hardly need to conduct at all.

It’s good to fail as a singer (and you should do it more often)

Most singers starting out are terrified of getting it ‘wrong’. They hold back in all sorts of ways and approach singing hesitantly. 

But if you’re not ‘failing’ and getting it ‘wrong’, then you’ll never progress.

When a choir rehearsal is cancelled, should singers get a refund?

When you have a salaried job and get sick, you can usually claim sick pay for a day off.

But if you’re running a choir and are self-employed, what happens then? Do your singers still need to pay?

Vocal exercises to help singers tune into a cappella harmony

I thought I’d share a few vocal exercises that I use to help singers tune in to a cappella harmony. 

© Susie Mendelsson

I often integrate these into the warm up sessions to get people listening more closely before we move on to learning harmony songs.

What’s more important: your well-being or the next concert, rehearsal or singing workshop?

We’ve all been there: we’re feeling a bit rough, but we soldier on any way.

photo by Peter Reed

A big concert is coming up so we can’t let people down. But is that the right way to think?

How I teach harmony songs

An interesting question popped up on a Facebook group: How do you teach harmony parts to your singers?

There were several different approaches, some of them using recordings or keyboards. Here is how I do it.

How your performance can be a disaster, but the concert a huge success

We had a concert recently where pretty much every song went wrong in some way.

Yet we ended up having a fantastic evening and the audience enjoyed it enormously. How is that possible?

Companion Voices: singing for the end of life

There are several singing groups in the US, UK and beyond which specialise in bringing songs of comfort to the dying.

Watford Companion Voices

You may have heard of the Threshold Choir network in the US. Here in the UK we have Companion Voices founded by Judith Silver in 2014. I asked Judith to write this guest post to tell us more about her work in this area.

Singers’ big mistakes in performance usually go unnoticed by the audience

A choir concert is never 100% perfect. There are usually one or two minor errors, or even big mistakes.

photo by Alex Proimos

But what might feel like a huge disaster on stage is often not noticed by your audience.

Why you shouldn’t rely on another singer in your section to know the songs

I wrote last week about what to do when important singers are missing and a concert is due.

photo by Ben W

I mentioned the drawbacks of singers relying on others in their section to know their part. I’d like to go into that in a bit more detail.

A concert has arrived and some important singers are missing – what to do?

It’s the final rehearsal on the day of your big concert. You realise that several important singers are missing.

What can you do? Here are a few ideas.

Own your identity as a singer (or composer or arranger or choir leader)

Are you a singer? Or are you “learning to be a singer”, or “wanting to be a singer”, or “trying to be a singer”, or “starting out as a singer”? 

Maybe it’s time to step up and claim your identity.

What to do when someone wants to teach you a song you already know

If you regularly attend singing workshops or have ever been in more than one choir, it’s inevitable that you will encounter a song you already know.

photo by Moses

Apart from zoning out, what’s the best thing to do when someone wants to teach you a song you already know?

Why are we stretching when we’ve come to sing?

I believe that proper preparation for singing is vital.

But sometimes I forget to explain why to singers who come to my one-off sessions. This is what I should remember to tell them.

Do you always sing the same voice part? Maybe it’s time for a change!

Many singers in community choirs choose for themselves which part they sing. They are not allocated a part by having a vocal range test.

photo by Michael Coghlan

This might work for a while, but what if you’ve chosen the wrong part? Also, voices change over time. Maybe it’s time to change parts?

Why it’s important to set your voice free from time to time

Being in a choir and singing with others is very controlled. There are other voices to blend and balance with, and fixed harmonies to follow.

But from time to time I believe it’s important to really let your voice soar.

Are you dependent on something that enables you to sing or lead singers?

It might be your singer’s water bottle or conductor’s baton. We all have something important that enables us to do our singing.

What happens if you lose it or it breaks?