Here are four simple but powerful ideas that will help you be a better singer, whether you sing in a choir or a band or are a soloist.
Monday, May 25, 2015
Four powerful ideas guaranteed to help you learn to sing better
People are always asking me how they can learn to sing. Everyone is already a singer of course, but it’s always possible to learn how to sing better.

Here are four simple but powerful ideas that will help you be a better singer, whether you sing in a choir or a band or are a soloist.
Here are four simple but powerful ideas that will help you be a better singer, whether you sing in a choir or a band or are a soloist.
Labels:
confidence,
learning to sing,
listening,
performing,
singers,
singing,
singing lesson,
trust
Monday, May 18, 2015
How much should you charge singers to be in your choir?
Most choirs charge their singers to be a member (‘subs’). The amount can vary a lot from choir to choir.

What’s the best way to decide how much to charge your singers? Let’s look at some of the issues that can help you fix a suitable rate.
What’s the best way to decide how much to charge your singers? Let’s look at some of the issues that can help you fix a suitable rate.
Labels:
choir,
choir attendance,
committee,
singers,
singing group
Monday, May 11, 2015
Stepping up – how to find the courage to volunteer for solo or small group singing
There are times in most choirs when a soloist or a small ensemble is required. These roles can be allocated by the MD but in many cases singers are asked to volunteer to try out.

What if you think you’re up to the job but lack the confidence to step forward? Here are some ideas that might help.
photo by Paterm
What if you think you’re up to the job but lack the confidence to step forward? Here are some ideas that might help.
Labels:
auditions,
choir,
confidence,
ensemble,
motivation,
nerves,
performing,
singing,
soloists
Monday, May 04, 2015
The challenges of running a drop-in singing group (and why you shouldn’t start one)
Some people run ‘drop-in’ singing sessions. People can drop in on any session they want, there is no commitment and no signing up for a ‘season’

It’s a nice idea: no commitment, no pressure, all very fun, sociable and informal. But there are plenty of good reasons why groups like this are hard to sustain. Here are ten of them.
It’s a nice idea: no commitment, no pressure, all very fun, sociable and informal. But there are plenty of good reasons why groups like this are hard to sustain. Here are ten of them.
Labels:
attendance,
choir,
performing,
rehearsal,
repertoire,
singers,
singing,
singing group,
teaching songs
Monday, April 27, 2015
What should individual singers focus on when performing as part of a choir or small group?
Whether you sing harmony in a small group or a large choir there are many things demanding your attention: other singers, conductor, audience, your own part, remembering lyrics, sheet music, and so on.

But what is the most important thing to focus on? It turns out that there are several.
photo by andercismo
But what is the most important thing to focus on? It turns out that there are several.
Labels:
audience,
choir,
concerts,
conductor,
harmony,
listening,
performance,
performing,
rehearsal,
singing,
singing group,
trust
Monday, April 20, 2015
10 great reasons why all men should join a choir – now!
Being in a choir is great (see The pleasures of being a choir member), but most mixed choirs never seem to have enough men.

Here are 10 very good reasons why every single man out there should join a choir as soon as they possibly can. Use the hashtag #getmensinging on social media.
photo by Roberta F.
Here are 10 very good reasons why every single man out there should join a choir as soon as they possibly can. Use the hashtag #getmensinging on social media.
Labels:
choir,
learning to sing,
male singers,
men singing,
mixed choir,
performing,
singers,
singing,
voice
Monday, April 13, 2015
How to encourage regular choir attendance – balancing fun with commitment
Lately I’ve been wrestling with the problem of inconsistent attendance at choir. If not everyone comes each week it’s hard to do any development work and it means I have to keep teaching the same songs again and again.

Jane Christie-Johnston from Tasmania contacted me recently and we had a bit of an email chat. I asked her how she dealt with the challenge, and this post is based on her reply.
Jane Christie-Johnston from Tasmania contacted me recently and we had a bit of an email chat. I asked her how she dealt with the challenge, and this post is based on her reply.
Labels:
choir,
choir attendance,
community choirs,
motivation,
performing,
recruiting,
rehearsal,
singers,
singing
Monday, April 06, 2015
5 good reasons why joining a choir might not be right for you
We all know that joining a choir is a good thing to do. But it might not suit everyone.

Here are five reasons why it might not be such a good idea for you.
photo by Dave Pearce
Here are five reasons why it might not be such a good idea for you.
Monday, March 30, 2015
Should your choir perform live? – arguments for and against
When I started my most recent community choir The OK Chorale back in 2011 I decided it wasn’t going to be a performing choir.

But inevitably, over time, we have ended up giving local concerts. Not all choirs perform though. Let’s look at the pros and cons.
Brighton Vox, photo from atticglimpse.blogspot.co.uk
But inevitably, over time, we have ended up giving local concerts. Not all choirs perform though. Let’s look at the pros and cons.
Monday, March 23, 2015
How ill do you need to be before you cancel a performance?
I’ve been laid up for the past 10 days with a nasty bout of ’flu. For the first time in my 18-year career I’ve had to cancel a choir concert.

In this case it was an obvious decision, but how ill do you need to be before you cancel a performance?
In this case it was an obvious decision, but how ill do you need to be before you cancel a performance?
Labels:
choir,
choirmaster,
choral director,
concerts,
health,
performance,
singers,
voice
Monday, March 16, 2015
When you don’t feel like singing, that’s the perfect time to do it – sing yourself happy!
Many of us wait until the mood hits us before we do something. But often the doing something is what changes our mood for the better.

The saying “Don’t sing because you’re happy, be happy because you sing” hits the nail on the head. Here’s why.
The saying “Don’t sing because you’re happy, be happy because you sing” hits the nail on the head. Here’s why.
Labels:
choir,
choir leading,
community choirs,
motivation,
singing
Monday, March 09, 2015
Copying music – how to stay on the right side of the law
I get regular emails from people asking questions about songs and copyright. I’m certainly no expert, but I have written a few articles that you might find helpful.

I’ve also just discovered something called The Code of Fair Practice which (in the UK only) allows people in certain circumstances to get around copyright issues.
I’ve also just discovered something called The Code of Fair Practice which (in the UK only) allows people in certain circumstances to get around copyright issues.
Labels:
copyright,
song arranging,
songs
Monday, March 02, 2015
Less is more: don’t feel you have to teach or learn new songs all the time (by Betsy Sansby)
Many choir leaders end up feeling like song factories because we feel that our singers crave novelty. If we don’t keep giving them new things, they might leave.

Actually most singers in a choir welcome singing the old, familiar songs and find it hard learning new stuff all the time. It’s important to find the balance.
One World Community Choir conducted by Betsy Sansby
Actually most singers in a choir welcome singing the old, familiar songs and find it hard learning new stuff all the time. It’s important to find the balance.
Labels:
choir,
choir leading,
community choirs,
learning songs,
remembering songs,
repertoire,
singers,
singing,
songs
Monday, February 23, 2015
If you don’t feel nervous before a concert or a singing workshop then something’s wrong
I never sleep the night before running a singing workshop and I always feel terribly nervous before a concert – whether I’m singing or conducting.

But I wouldn’t have it any other way. The day you stop being nervous is the day you should give up. Here’s why.
photo by Francesco
But I wouldn’t have it any other way. The day you stop being nervous is the day you should give up. Here’s why.
Labels:
choir,
concerts,
confidence,
fear,
nerves,
performance,
singing,
singing workshops,
trust
Monday, February 16, 2015
What if the singing session is a success, but you feel like a failure?
Sometimes we’re asked to lead a rehearsal or run a singing workshop or perform a song and we do our job very well. But afterwards we don’t feel particularly good about it.

What’s going on here? Is it possible to be successful, but fail at the same time?
photo by www.stockmonkeys.com/
What’s going on here? Is it possible to be successful, but fail at the same time?
Labels:
choir,
choir leading,
motivation,
singing,
singing workshops
Monday, February 09, 2015
What’s the best recording device to use in a choir rehearsal or singing workshop?
How long’s a piece of string?! There are so many options that I’m not going to specify any particular type or model.

However, here are some of the things you need to consider.
photo by svennevenn
However, here are some of the things you need to consider.
Labels:
choir,
learning by ear,
learning songs,
recording,
recordings,
rehearsal,
singing workshops
Monday, February 02, 2015
Recording during singing workshops and choir rehearsals – why, what and when?
Despite my strong belief in the oral/ aural tradition, there is an increasing number of handheld recording devices appearing in my singing sessions!
People ask if they can record during a singing workshop; choir members record their parts on their phone whilst learning a new song; I record the songs we’ve learnt at the end of each workshop I run.
But what’s the best, and most appropriate way of recording during singing workshops and choir rehearsals?
People ask if they can record during a singing workshop; choir members record their parts on their phone whilst learning a new song; I record the songs we’ve learnt at the end of each workshop I run.
But what’s the best, and most appropriate way of recording during singing workshops and choir rehearsals?
Labels:
choir,
copyright,
learning by ear,
learning songs,
listening,
recording,
rehearsal,
singing,
singing workshops,
workshops
Monday, January 26, 2015
The singers who didn’t like warm ups (and what became of them)
Once upon a time there were two singers: Olga and Little Erik. They did not like choir warm ups. Olga always came late so she could avoid them. Little Erik did them in a half-hearted way with a scowl on his face.

What became of these two reckless singers? Read on to find out.
What became of these two reckless singers? Read on to find out.
Labels:
breathing,
choir,
choir leader,
listening,
physical warm up,
preparing to sing,
rehearsal,
singers,
singing,
training,
vocal warm up,
warm up
Monday, January 19, 2015
10 exercises guaranteed to get your singers listening more carefully
I went to a workshop recently run by the amazing Su Hart who has spent around 25 years working with the Baka people of Central Africa. Living in the rainforest as they do, listening well is literally a matter of life or death.

Su’s workshop reminded me yet again that singing is all about listening. But how can we get our singers to listen to each other better? Here are 10 exercises to get you started.
photo by Rex Bennett
Su’s workshop reminded me yet again that singing is all about listening. But how can we get our singers to listen to each other better? Here are 10 exercises to get you started.
Monday, January 12, 2015
Build it and they will come – why you can never have too many choirs
I had a friend who moved to a new town and set up a new choir, blissfully ignorant of the 100+ community chorus that already existed there.

What was amazing was that the new choir quickly attracted 40 or so new singers, none of whom were from the rival choir. How is that possible?
photo by ToBreatheAsOne
What was amazing was that the new choir quickly attracted 40 or so new singers, none of whom were from the rival choir. How is that possible?
Labels:
choir,
community choirs,
recruiting,
singing
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