Monday, May 25, 2015

Four powerful ideas guaranteed to help you learn to sing better

People are always asking me how they can learn to sing. Everyone is already a singer of course, but it’s always possible to learn how to sing better.

wild

Here are four simple but powerful ideas that will help you be a better singer, whether you sing in a choir or a band or are a soloist.

Monday, May 18, 2015

How much should you charge singers to be in your choir?

Most choirs charge their singers to be a member (‘subs’). The amount can vary a lot from choir to choir.

cash

What’s the best way to decide how much to charge your singers? Let’s look at some of the issues that can help you fix a suitable rate.

Monday, May 11, 2015

Stepping up – how to find the courage to volunteer for solo or small group singing

There are times in most choirs when a soloist or a small ensemble is required. These roles can be allocated by the MD but in many cases singers are asked to volunteer to try out.

choir soloist
photo by Paterm

What if you think you’re up to the job but lack the confidence to step forward? Here are some ideas that might help.

Monday, May 04, 2015

The challenges of running a drop-in singing group (and why you shouldn’t start one)

Some people run ‘drop-in’ singing sessions. People can drop in on any session they want, there is no commitment and no signing up for a ‘season’

Wivenhoe Jan 2014 (1)

It’s a nice idea: no commitment, no pressure, all very fun, sociable and informal. But there are plenty of good reasons why groups like this are hard to sustain. Here are ten of them.

Monday, April 27, 2015

What should individual singers focus on when performing as part of a choir or small group?

Whether you sing harmony in a small group or a large choir there are many things demanding your attention: other singers, conductor, audience, your own part, remembering lyrics, sheet music, and so on.

Magnifying glass
photo by andercismo

But what is the most important thing to focus on? It turns out that there are several.

Monday, April 20, 2015

10 great reasons why all men should join a choir – now!

Being in a choir is great (see The pleasures of being a choir member), but most mixed choirs never seem to have enough men.

Klapa singers
photo by Roberta F.

Here are 10 very good reasons why every single man out there should join a choir as soon as they possibly can. Use the hashtag #getmensinging on social media.

Monday, April 13, 2015

How to encourage regular choir attendance – balancing fun with commitment

Lately I’ve been wrestling with the problem of inconsistent attendance at choir. If not everyone comes each week it’s hard to do any development work and it means I have to keep teaching the same songs again and again.

sing for your life choir

Jane Christie-Johnston from Tasmania contacted me recently and we had a bit of an email chat. I asked her how she dealt with the challenge, and this post is based on her reply.

Monday, April 06, 2015

5 good reasons why joining a choir might not be right for you

We all know that joining a choir is a good thing to do. But it might not suit everyone.

Voicerox Choir, Southbank.
photo by Dave Pearce

Here are five reasons why it might not be such a good idea for you.

Monday, March 30, 2015

Should your choir perform live? – arguments for and against

When I started my most recent community choir The OK Chorale back in 2011 I decided it wasn’t going to be a performing choir.

Brighton Vox

But inevitably, over time, we have ended up giving local concerts. Not all choirs perform though. Let’s look at the pros and cons.

Monday, March 23, 2015

How ill do you need to be before you cancel a performance?

I’ve been laid up for the past 10 days with a nasty bout of ’flu. For the first time in my 18-year career I’ve had to cancel a choir concert.

Cancelled concert

In this case it was an obvious decision, but how ill do you need to be before you cancel a performance?

Monday, March 16, 2015

When you don’t feel like singing, that’s the perfect time to do it – sing yourself happy!

Many of us wait until the mood hits us before we do something. But often the doing something is what changes our mood for the better.

lazy

The saying “Don’t sing because you’re happy, be happy because you sing” hits the nail on the head. Here’s why.

Monday, March 09, 2015

Copying music – how to stay on the right side of the law

I get regular emails from people asking questions about songs and copyright. I’m certainly no expert, but I have written a few articles that you might find helpful.

behind bars

I’ve also just discovered something called The Code of Fair Practice which (in the UK only) allows people in certain circumstances to get around copyright issues.

Monday, March 02, 2015

Less is more: don’t feel you have to teach or learn new songs all the time (by Betsy Sansby)

Many choir leaders end up feeling like song factories because we feel that our singers crave novelty. If we don’t keep giving them new things, they might leave.

One World Community Choir
One World Community Choir conducted by Betsy Sansby

Actually most singers in a choir welcome singing the old, familiar songs and find it hard learning new stuff all the time. It’s important to find the balance.

Monday, February 23, 2015

If you don’t feel nervous before a concert or a singing workshop then something’s wrong

I never sleep the night before running a singing workshop and I always feel terribly nervous before a concert – whether I’m singing or conducting.

nervous
photo by Francesco

But I wouldn’t have it any other way. The day you stop being nervous is the day you should give up. Here’s why.

Monday, February 16, 2015

What if the singing session is a success, but you feel like a failure?

Sometimes we’re asked to lead a rehearsal or run a singing workshop or perform a song and we do our job very well. But afterwards we don’t feel particularly good about it.

success failure

What’s going on here? Is it possible to be successful, but fail at the same time?

Monday, February 09, 2015

What’s the best recording device to use in a choir rehearsal or singing workshop?

How long’s a piece of string?! There are so many options that I’m not going to specify any particular type or model.

tape recorder
photo by svennevenn

However, here are some of the things you need to consider.

Monday, February 02, 2015

Recording during singing workshops and choir rehearsals – why, what and when?

Despite my strong belief in the oral/ aural tradition, there is an increasing number of handheld recording devices appearing in my singing sessions!



People ask if they can record during a singing workshop; choir members record their parts on their phone whilst learning a new song; I record the songs we’ve learnt at the end of each workshop I run.

But what’s the best, and most appropriate way of recording during singing workshops and choir rehearsals?

Monday, January 26, 2015

The singers who didn’t like warm ups (and what became of them)

Once upon a time there were two singers: Olga and Little Erik. They  did not like choir warm ups. Olga always came late so she could avoid them. Little Erik did them in a half-hearted way with a scowl on his face.

boy and girl

What became of these two reckless singers? Read on to find out.

Monday, January 19, 2015

10 exercises guaranteed to get your singers listening more carefully

I went to a workshop recently run by the amazing Su Hart who has spent around 25 years working with the Baka people of Central Africa. Living in the rainforest as they do, listening well is literally a matter of life or death.

ear to the ground
photo by Rex Bennett

Su’s workshop reminded me yet again that singing is all about listening. But how can we get our singers to listen to each other better? Here are 10 exercises to get you started.

Monday, January 12, 2015

Build it and they will come – why you can never have too many choirs

I had a friend who moved to a new town and set up a new choir, blissfully ignorant of the 100+ community chorus that already existed there.

Estonia choir festival
photo by ToBreatheAsOne

What was amazing was that the new choir quickly attracted 40 or so new singers, none of whom were from the rival choir. How is that possible?