When you don’t feel like singing, that’s the perfect time to do it – sing yourself happy!

Many of us wait until the mood hits us before we do something. But often the doing something is what changes our mood for the better.



The saying “Don’t sing because you’re happy, be happy because you sing” hits the nail on the head. Here’s why.

Copying music – how to stay on the right side of the law

I get regular emails from people asking questions about songs and copyright. I’m certainly no expert, but I have written a few articles that you might find helpful.



I’ve also just discovered something called The Code of Fair Practice which (in the UK only) allows people in certain circumstances to get around copyright issues.

Less is more: don’t feel you have to teach or learn new songs all the time (by Betsy Sansby)

Many choir leaders end up feeling like song factories because we feel that our singers crave novelty. If we don’t keep giving them new things, they might leave.

One World Community Choir conducted by Betsy Sansby

Actually most singers in a choir welcome singing the old, familiar songs and find it hard learning new stuff all the time. It’s important to find the balance.

If you don’t feel nervous before a concert or a singing workshop then something’s wrong

I never sleep the night before running a singing workshop and I always feel terribly nervous before a concert – whether I’m singing or conducting.

photo by Francesco

But I wouldn’t have it any other way. The day you stop being nervous is the day you should give up. Here’s why.

What if the singing session is a success, but you feel like a failure?

Sometimes we’re asked to lead a rehearsal or run a singing workshop or perform a song and we do our job very well. But afterwards we don’t feel particularly good about it.

photo by www.stockmonkeys.com/

What’s going on here? Is it possible to be successful, but fail at the same time?

What’s the best recording device to use in a choir rehearsal or singing workshop?

How long’s a piece of string?! There are so many options that I’m not going to specify any particular type or model.

photo by svennevenn

However, here are some of the things you need to consider.

Recording during singing workshops and choir rehearsals – why, what and when?

Despite my strong belief in the oral/ aural tradition, there is an increasing number of handheld recording devices appearing in my singing sessions!

photo by Harris & Ewing [Public domain], via Wikimedia Commons

People ask if they can record during a singing workshop; choir members record their parts on their phone whilst learning a new song; I record the songs we’ve learnt at the end of each workshop I run.

But what’s the best, and most appropriate way of recording during singing workshops and choir rehearsals?

The singers who didn’t like warm ups (and what became of them)

Once upon a time there were two singers: Olga and Little Erik. They  did not like choir warm ups. Olga always came late so she could avoid them. Little Erik did them in a half-hearted way with a scowl on his face.



What became of these two reckless singers? Read on to find out.

10 exercises guaranteed to get your singers listening more carefully

I went to a workshop recently run by the amazing Su Hart who has spent around 25 years working with the Baka people of Central Africa. Living in the rainforest as they do, listening well is literally a matter of life or death.

photo by Rex Bennett

Su’s workshop reminded me yet again that singing is all about listening. But how can we get our singers to listen to each other better? Here are 10 exercises to get you started.

Build it and they will come – why you can never have too many choirs

I had a friend who moved to a new town and set up a new choir, blissfully ignorant of the 100+ community chorus that already existed there.

photo by ToBreatheAsOne

What was amazing was that the new choir quickly attracted 40 or so new singers, none of whom were from the rival choir. How is that possible?

Increase your enjoyment of singing in the choir in the coming year

I wrote a post a while back called Ask not what your choir can do for you – ask what can you do for your choir. The more you put in, the more you get back!

The OK Chorale, Woodbridge, Suffolk

There are plenty of practical things you can do to help you get more out of your choir. Here are a few. Why not try them in the coming year?

Busily doing nothing – 5 reasons why downtime is important for singers and choir leaders

Feel like you’re on a treadmill? Constantly learning and practising and planning but never arriving? Not enough time to catch your breath between concerts?

photo by Roger Gordon

Then you need some downtime! That is, time spent doing things completely unrelated to singing and choirs. Here’s why.

Christmas carols are dying out – but are they really?

There have been two articles in the UK national press this week, one bemoaning the fact that we don’t sing Christmas carols together as much as we used to, and the other celebrating the thriving culture of pub Christmas carols in Yorkshire.



The truth lies somewhere between these two extremes. Let’s look at the evidence.

Why a choir can never be truly democratic

Ever asked your choir members how they think things are going? Is there a large committee helping to run your choir? If so, you’ve realised that a choir is not a democracy!



A choir is more like a benign dictatorship. Here’s why democratic choirs don’t work.

Songbooks and other resources for choirs (that will also make great presents)

I’ve written before about finding songs for your choir (Where do you find all your songs? and Easy songs for your choir and Finding songs for your choir). But times move on and new books get published all the time.



Here’s a round up of songbooks and other resources that are either fairly new or which I haven’t mentioned before.

The differences between a ‘natural voice’ choir and all the rest

You may have come across the term ‘natural voice’. You may also have realised by now that I am a member of The Natural Voice Practitioners’ Network.



But what exactly is the ‘natural voice’ and how do choirs run on ‘natural voice’ principles differ from other choirs? You’re in luck! Caroline Bithell has just written an amazing book that answers all your questions. Let’s look at what’s in it.

Using world songs in the classroom: a teacher’s guide to sourcing songs and how to teach them

Some teachers find themselves having to lead singing sessions at their school, but don’t have that much experience of using songs from the world music repertoire (‘world songs’) or of teaching songs by ear.



Here is a short guide to using world songs in the classroom with some handy references to warms ups, song sources, and how to lead choirs.

Choirs and copyright: a beginner’s guide for the bewildered

[NB this post is about UK copyright laws. Although the situation will be similar in other countries, the various copyright and performing rights agencies and websites will obviously be different]

I wrote extensively about copyright way back in 2010 (see my series of seven posts Songs and copyright), but I still get emails every week from choir leaders asking me questions!



I’m certainly no expert, especially since I don’t use sheet music, but I thought I’d revisit the topic and try to spell it out in simple terms. Here goes!

Is how you label yourself as a singer holding you back?

We all have an image of the type of singer (or musical director or choir) that we think we are. There are things that we can do and things that we can’t (or won’t) do.

photo by iamstarbuck

But what if the way we see ourselves is out of date? What if we’ve given ourselves the wrong label? How can we move forward?

Want to sing but are scared of being judged? Here’s what to do

Sarcastic remarks from X Factor judges. Teachers telling kids to “stand at the back and just mime”. Being made to stand up and sing solo to get into your workplace choir. Scary!



And enough to put anyone off singing! However, there are plenty of other ways of singing with others without the fear of being judged or ridiculed. Here’s what you can do.

Want to develop your voice and sing better? Be silly and play!

Trying to increase your vocal range? Want to develop a richer tone to your voice? Puzzling over voice placement and timbre?

photo by The-Serene-Mage

Before you rush off to find a singing teacher, try being playful with your voice for fun.

Is one of your choir sections thin on the ground? 10 ways to find more singers to fill the gaps

Many of us are in choirs where a particular section needs bolstering. In my case it’s a lack of altos, for others it might be too few tenors.



Here are 10 ideas for beefing up a particular voice part.

Keep it to yourself! – why colds, singing and choirs don’t mix

’Tis the season to be poorly. A warm rehearsal room is the ideal place to spread coughs and sneezes, especially with all that deep breathing and standing close together.

Sneeze by James Gathany

So what should you do when you come down with a bug: soldier on or stay away? It depends how bad it is. Let’s look at your options.

Using feedback forms for choirs and singing workshops

You get what you ask for, so be careful how you seek feedback!

photo by Howard Lake

When designing feedback forms, less is more. Here’s why.

How to get your choir to pay attention to you (and stop chatting!)

At the beginning of each choir session it’s as if the singers have not seen each other for years. They’re chatting away having a fine time of things.

photo by barçalunacy

Trouble is, you’ll have to put an end to that in order to get started. How do you get their attention with all that noise?

How to sing – 10 habits of successful professional singers

In my recent post How to sing – the definitive guide, I pointed out that lots of people Google “How to sing” instead of just getting on and doing it.

Garðar Thor Cortes by David

If you’re serious about singing and want to get on with it, here are 10 habits you can develop which come from successful professional singers.

Your singing experience depends on how you feel, not just on what you do

On the face of it, a workshop or concert can be a resounding success.

photo by Andy Armstrong

But ask individuals about how they think it went and some people will think it was terrible.

Keeping choir attendance up – stick or carrot?

As I wrote recently (It’s summer – where have all the choir gone??!!), patchy attendance at regular choir sessions can be very frustrating.

donkey photo by Clay Junell

If you’re a community, or amateur, or singing for fun, or casual choir, how can you keep attendance levels high?

If not now, when? – start singing NOW!

“It’s a terrible thing, I think, in life to wait until you’re ready.” Hugh Laurie

photo by Fido

Especially when that day may never come when you truly feel ‘ready’. So start singing now!

How to sing – the definitive guide

“How to sing” is one of the most common requests I get. The answer is simple: open your mouth and let the sound out.

photo by Spekoek

I’m not being facetious, it’s as simple as that. But when someone asks that question, they’re usually hiding a deeper one. Let’s look at what they really want to know and see what the answers are.

How many breaks should you have on a singing weekend?

People pay good money to come on a singing workshop and want to sing as much as they can.


But everyone needs a break. How do you find the balance between singing and time off?

Where do you find all your songs?

This is a question I’m often asked at my singing workshops, especially by people starting out as choir leaders.

photo by James Vaughan

There is often the assumption that I must have travelled to all the countries that I teach songs from and maybe even speak the languages. Not true!

Your job as a choir leader is to disappear

In David Zweig’s recent book he talks about Invisibles: people who are unseen when their job is done perfectly (who only draw attention to themselves when things go wrong).



It got me thinking that most of a choir leader’s job is invisible to the wider public. So why not just disappear when the next concert rolls around?

If some singers want more and some want less, then you must be doing something right!

I aim to please everyone in my choirs and singing workshops. I know it’s an impossible task (see Keeping a choir happy – you can’t please everyone), but still I try.

photo by DurhamDundee

But how do you know when you’ve got the balance right and you’re keeping the majority happy?

It’s summer – where have all the choir gone??!!

The evening’s are lighter, the weather is warmer, the songs are amazing, the singing’s as good as ever – it’s summer!

Sunday school by Ansel Adams

So where has everybody gone? Why are people not turning up to choir?

Never let the fake perfection of pop singers put you off singing

A Britney Spears recording has recently escaped into the wild which demonstrates that without Auto-Tune her singing can be less than perfect (Experience the shocking power of Britney Spears without Auto-Tune – which may have been removed by the time you read this!).

© Glenn Francis, www.PacificProDigital.com

Shock horror! Pop singers are only human so don’t be put off by their apparent perfection — it’s all smoke and mirrors.

Regular weekly choir or drop-in singing group? – the pros and cons

Some choirs and singing groups meet frequently, often once a week, requiring a high level of commitment. Others meet less frequently and work on a drop-in basis with no requirement to attend every session.

The OK Chorale, Suffolk

There are advantages and disadvantages to each kind of group. Here are some pros and cons.

If you’re looking for new singers, don’t expect them to come to you

You’ve put your fliers out, spread the word, mentioned it on Facebook, but still you find it hard to recruit new singers.

photo by Indra Hardi Saputro

If you’re asking someone to try something unfamiliar, you need to make the effort to take it to their home territory – don’t expect them to come to you.

Singing – the more you do it, the worse you get!

You work on a song in choir week after week, but slowly things seem to get worse. You worry about getting the words right, you can’t seem to remember the second part of the melody, your voice stops hitting the high notes.

photo by Alex Proimos

What’s going on? Here’s what I think ...

Dress to impress – choosing suitable outfits for your choir

As many regular readers will know, I hate a choir in uniform.



However, it is a good idea to have some kind of unifying dress code and also to show your audience that you’ve made an effort. Here are some ideas to consider.

Taking over an established choir – a guide for choir leaders

Choir leaders don’t last forever so there will come a time when a choir needs to find a new one.



If you’re the person who gets the job it can seem daunting to take over a long-established choir. Here are a few tips to help with the transition.

How do you get to the truth of what your singing ability really is?

There is often a mismatch between how good you think you are as a singer and what your abilities really are.



Some people vastly overrate their singing abilities (just watch X Factor!), whilst others with a fine singing voice really think they sound awful. How can we reveal a more accurate picture?

Choir? Chorale? Ensemble? What’s in a name?

Many of you know that I avoid using the ‘C’ word: choir. But there other similar terms that I find just as bad: chorus, chorale, chamber choir.



What’s in a name? What does it tell you about the singing group? Does size matter? Can you have a chorus of four people, or does that become an ensemble? Let’s take a look ...

What makes a ‘good’ singer? – it’s all about context

Those of you who read this blog regularly know that I believe that everyone can sing. If you want to know more, you can read “Everyone can sing” – what the hell does that mean??!!

photo by Hollywata

Given that everyone can sing, what might it mean when someone says one singer is ‘better’ than another? What makes a ‘good’ singer any way?

“Darling, your technique is showing” – don’t be a singer who is all style and no substance

It’s usually the case that professional singers have had some sort of training in a particular singing technique.

photo by Kevin Cease

But dontcha just hate it when that’s all you see when they perform??!! All style and no substance. The point of technique is to not let it show.

What to say if someone asks you if they can sing

A friend asks you to comment on their singing or asks you if you think they can sing at all.



What can you say without hurting their feelings or putting them off singing entirely?

When you sing, forget everything you’ve ever learnt

In your singing lessons and choir warm ups you’re bombarded with exercises and technical advice about posture, breathing, enunciation, pitching, tension, placement and so on.



All good stuff. But when it comes time to sing you need to forget it all. Seems crazy? I’ll show you why it’s important.

Teacher of songs or song polisher – which kind of choir leader are you?

A while back I went to a singing workshop led by an internationally acclaimed workshop leader. I was very disappointed at the lack of teaching skills on display. But in the end the sound we made was amazing.

photo by Allan Harris

I realised that some singing leaders are great teachers of songs and some are great polishers of songs, but not everyone has both skills.

Can open-access choirs cater for every kind of singer?

As a member of the Natural Voice Practitioners’ Network I share their belief that everybody can sing and nobody should be excluded from music-making. Which is why no ‘natural voice’ choirs hold auditions or use unnecessary musical jargon.

adapted from a photo by Brian Robert Marshall

But can such open-access choirs ever be truly inclusive? I don’t believe they can and I think we need to be clear about that when promoting our work.

How to choose soloists in your choir: audition or self-selection?

Rather than everyone singing all the time, many choirs ring the changes by creating smaller ensembles within the larger choir or have occasional solos.

photo by Shelly Mags

In a non-auditioned, open-access choir, what is the fairest way to choose singers to take on these roles?