How many breaks should you have on a singing weekend?

People pay good money to come on a singing workshop and want to sing as much as they can.


But everyone needs a break. How do you find the balance between singing and time off?

Where do you find all your songs?

This is a question I’m often asked at my singing workshops, especially by people starting out as choir leaders.

photo by James Vaughan

There is often the assumption that I must have travelled to all the countries that I teach songs from and maybe even speak the languages. Not true!

Your job as a choir leader is to disappear

In David Zweig’s recent book he talks about Invisibles: people who are unseen when their job is done perfectly (who only draw attention to themselves when things go wrong).



It got me thinking that most of a choir leader’s job is invisible to the wider public. So why not just disappear when the next concert rolls around?

If some singers want more and some want less, then you must be doing something right!

I aim to please everyone in my choirs and singing workshops. I know it’s an impossible task (see Keeping a choir happy – you can’t please everyone), but still I try.

photo by DurhamDundee

But how do you know when you’ve got the balance right and you’re keeping the majority happy?

It’s summer – where have all the choir gone??!!

The evening’s are lighter, the weather is warmer, the songs are amazing, the singing’s as good as ever – it’s summer!

Sunday school by Ansel Adams

So where has everybody gone? Why are people not turning up to choir?

Never let the fake perfection of pop singers put you off singing

A Britney Spears recording has recently escaped into the wild which demonstrates that without Auto-Tune her singing can be less than perfect (Experience the shocking power of Britney Spears without Auto-Tune – which may have been removed by the time you read this!).

© Glenn Francis, www.PacificProDigital.com

Shock horror! Pop singers are only human so don’t be put off by their apparent perfection — it’s all smoke and mirrors.

Regular weekly choir or drop-in singing group? – the pros and cons

Some choirs and singing groups meet frequently, often once a week, requiring a high level of commitment. Others meet less frequently and work on a drop-in basis with no requirement to attend every session.

The OK Chorale, Suffolk

There are advantages and disadvantages to each kind of group. Here are some pros and cons.

If you’re looking for new singers, don’t expect them to come to you

You’ve put your fliers out, spread the word, mentioned it on Facebook, but still you find it hard to recruit new singers.

photo by Indra Hardi Saputro

If you’re asking someone to try something unfamiliar, you need to make the effort to take it to their home territory – don’t expect them to come to you.

Singing – the more you do it, the worse you get!

You work on a song in choir week after week, but slowly things seem to get worse. You worry about getting the words right, you can’t seem to remember the second part of the melody, your voice stops hitting the high notes.

photo by Alex Proimos

What’s going on? Here’s what I think ...

Dress to impress – choosing suitable outfits for your choir

As many regular readers will know, I hate a choir in uniform.



However, it is a good idea to have some kind of unifying dress code and also to show your audience that you’ve made an effort. Here are some ideas to consider.

Taking over an established choir – a guide for choir leaders

Choir leaders don’t last forever so there will come a time when a choir needs to find a new one.



If you’re the person who gets the job it can seem daunting to take over a long-established choir. Here are a few tips to help with the transition.

How do you get to the truth of what your singing ability really is?

There is often a mismatch between how good you think you are as a singer and what your abilities really are.



Some people vastly overrate their singing abilities (just watch X Factor!), whilst others with a fine singing voice really think they sound awful. How can we reveal a more accurate picture?

Choir? Chorale? Ensemble? What’s in a name?

Many of you know that I avoid using the ‘C’ word: choir. But there other similar terms that I find just as bad: chorus, chorale, chamber choir.



What’s in a name? What does it tell you about the singing group? Does size matter? Can you have a chorus of four people, or does that become an ensemble? Let’s take a look ...

What makes a ‘good’ singer? – it’s all about context

Those of you who read this blog regularly know that I believe that everyone can sing. If you want to know more, you can read “Everyone can sing” – what the hell does that mean??!!

photo by Hollywata

Given that everyone can sing, what might it mean when someone says one singer is ‘better’ than another? What makes a ‘good’ singer any way?

“Darling, your technique is showing” – don’t be a singer who is all style and no substance

It’s usually the case that professional singers have had some sort of training in a particular singing technique.

photo by Kevin Cease

But dontcha just hate it when that’s all you see when they perform??!! All style and no substance. The point of technique is to not let it show.

What to say if someone asks you if they can sing

A friend asks you to comment on their singing or asks you if you think they can sing at all.



What can you say without hurting their feelings or putting them off singing entirely?

When you sing, forget everything you’ve ever learnt

In your singing lessons and choir warm ups you’re bombarded with exercises and technical advice about posture, breathing, enunciation, pitching, tension, placement and so on.



All good stuff. But when it comes time to sing you need to forget it all. Seems crazy? I’ll show you why it’s important.

Teacher of songs or song polisher – which kind of choir leader are you?

A while back I went to a singing workshop led by an internationally acclaimed workshop leader. I was very disappointed at the lack of teaching skills on display. But in the end the sound we made was amazing.

photo by Allan Harris

I realised that some singing leaders are great teachers of songs and some are great polishers of songs, but not everyone has both skills.

Can open-access choirs cater for every kind of singer?

As a member of the Natural Voice Practitioners’ Network I share their belief that everybody can sing and nobody should be excluded from music-making. Which is why no ‘natural voice’ choirs hold auditions or use unnecessary musical jargon.

adapted from a photo by Brian Robert Marshall

But can such open-access choirs ever be truly inclusive? I don’t believe they can and I think we need to be clear about that when promoting our work.

How to choose soloists in your choir: audition or self-selection?

Rather than everyone singing all the time, many choirs ring the changes by creating smaller ensembles within the larger choir or have occasional solos.

photo by Shelly Mags

In a non-auditioned, open-access choir, what is the fairest way to choose singers to take on these roles?

Singing in a choir – balancing individual freedom with the demands of the team

Those of us who love to sing often love to sing at the top of our voices. It’s joyous!

photo by William P. Gottlieb

But when you’re part of a choir you have to rein in those tendencies for the greater good of the overall sound. How do you achieve that balance without feeling restricted?

Process vs. product: are you along for the singing ride or just the final performance?

Learning and polishing a song can be a long process. Some people find it a chore and can’t wait to get to the end result: a public performance.



But others enjoy the ride, going deeper into the song, finding the nuances, becoming immersed in the whole process and not having any particular end in sight. However, process and product don’t have to be different things.

Never tell someone they can’t sing – it is brutal, damaging and untrue

Most of the people who come to my singing workshops are in their 50s and pretty much all of them have a story to tell about the time someone told them they couldn’t sing.

photo by TrueDragon13

Many of the stories date back to the time when they were at primary or even infant school. What amazing power a throwaway remark like “Just stand at the back and mime” can have!

Helping singers learn to hold a harmony part on their own

If you’re in a choir you’ll be used to singing your harmony part surrounded by others singing the same thing. But it seems much harder to hold a part by yourself when you’re in a small group.

photo by Eric Kilby

In this post I’ll show you how easy it is, how it’s your own head that gets in the way, and I’ll also outline a process that your choir can use to help train singers to hold a part on their own.

What’s the opposite of a “Singing for fun” choir?

Certain people are rather dismissive of “Singing for fun” choirs. If it’s for fun then it can’t possibly be of any quality.



Then I got to wondering: what are their choirs like? What’s the opposite of “Singing for fun”? — “Singing for boredom”? “Singing for misery”? I know which choir I’d rather be in!

Avoid toxic choir leaders – the end does NOT justify the means

There are some workshop and choir leaders who work through fear. They are not particularly nice people, but they do get good results.

photo by Craig Sunter

Yet it is possible to work compassionately and with fun to get the same results. That’s my kind of choir leader!

Joining an established choir: a guide for how choir leaders can help new singers

Last week I wrote about the challenges faced by singers joining an established choir.

photo by fromcolettewithlove

This week I will look at what choir leaders and committees can do to make the transition easier.

Joining an established choir: a guide for new singers

Joining a new choir is a bit like going to big school: it’s exciting, but a bit scary and it will take a while to learn the ropes.

photo by VisitCopenhagen

Here is a guide to help you take your first few steps as a new singer in an established choir. Next week I’ll be writing a guide for choir leaders and choir committees on how to ease new members into established choirs.

Why some singers find it hard to learn by ear (and what you can do to make it easier)

Some people really struggle when it comes to learning a song by ear. Often it’s singers who are used to using sheet music, but not always.

photo by bokeh burger

I’ll explain why I believe some people find it hard and then I’ll outline some strategies for getting better at it.

You can’t franchise charisma – why your choir leader is special

The fact is that pretty much anyone can lead a choir. Some do it better than others and some do it worse, but it’s not rocket science. However, your particular choir leader is special and brings something unique to your choir.



That special something can’t be copied or franchised. Choirs are all about the people in them – including their leader. I’ll show you some lessons that can be learnt from this, whether you’re a singer or a choir leader (or a business opportunist!).

Don’t peak too soon – effective rehearsal planning for your next concert

The OK Chorale have just started back after a long Christmas break. This term we’re working towards our annual spring concert. I need to plan an effective rehearsal schedule.



Our singers are all amateurs with busy lives, so what’s the best way to organise rehearsals so we peak at the right time?

7 ways to share your choir’s singing without making a big performance of it

Some choirs don’t perform at all (see Choirs that don’t perform). But most choirs, at some point, will want to share their hard work with others.

photo by pyramis

It is possible to share your choir songs without it being scary or making it a big deal. I’ll show you how.

What small changes will make you a better singer or choir leader in the coming year?

There is always room for improvement, whether you’re a singer, a choir leader, a choral arranger, a workshop leader or a choir committee member. But it can become overwhelming if you tackle everything at once and try to make too many changes.

photo by Ben Terrett

Focus on just a few small changes for the better. Here’s how.

Putting your house in order or how to clear up after a busy choir season

The choir season is over and the holidays are here. If your workspace is anything like mine, you’ll have sheet music scattered over the floor, piles of random notes from choir sessions, possible songs for the new season, CDs out of their cases, and various other flotsam and jetsam liberally sprinkled around the room.

photo by Jeffrey Beall

Time to get things sorted!

Merry Christmas everyone!

Many thanks to all of you who read this blog regularly. I couldn’t do it without you!

photo by Mark McLaughlin

I hope you find something of interest here. If you do, please let others know about it!

10 tips to get the whole family singing this Christmas

’Tis the season to be jolly, fa la la la la ... Instead of slumping in front of the TV this Christmas, why not get the whole family singing?

photo by Spinndoctor

Here are some tips for creating the perfect Christmas family sing-along.

Looking after yourself in a busy concert season

For many of us, this time of year is just one concert after another. It’s great to be doing so much singing, but it can have its downsides.

photo by Jonathan Lundkvist

If we overdo it, we can get ill or lose our voice. How can we take care ourselves during a busy concert season?

One unkind word can put you off singing for ever – how to protect yourself

There have been a lot of UK television programmes recently which have involved solo singing auditions: The Voice, X Factor, The Choir. Comments about the standard of singing have sometimes been off-hand, sarcastic, and even cruel.

photo by keith ellwood

A comment about your singing voice can be taken as a comment on who you are as a person. How can you avoid taking criticism of your singing voice too personally?

Should you have auditions for a workplace or community choir?

Gareth Malone is back on UK television with a second series of The Choir: Sing While You Work. The choirmaster goes into five different organisations to form workplace choirs which then go on to compete against each other.

photo by DianeSunshineCoast

He auditions staff to create the choirs, but is that necessary to form a workplace choir?

What motivates you to turn up to choir week after week?

You can tell winter is on its way because it’s dark and cold when I set off for choir each week.

photo by Todd Shaffer

It would be much easier to stay at home in front of the fire, so what motivates you to wrap up warm, leave the house and brave the cold to get to choir?

Dealing with choir members who are always late

It’s the final rehearsal before your big concert. The warm up is over and everyone is ready to go. But a handful of singers (the usual suspects) are not there. Late again!

photo by lunarnature

What can you do about those singers who are always late to choir?

Be the best singer you can, but don’t forget there’s more to life

For some people being a famous singer or being in the best choir in the world or making a hit record or singing a piece perfectly in competition is the be-all and end-all.

photo by make little sharks

But if you take it too seriously and it doesn’t work out for you, then what? There is more to life than just singing!

How to catch up if you miss a choir rehearsal

Apparently there is more to life than just singing (can’t imagine what!), so occasionally you may have to miss a choir rehearsal (not me though!).

photo by nataliej

Here are some tips for catching up with what you’ve missed.

How to cope with learning by ear if you usually read music notation

Many choirs use written notation to learn and perform songs. Over time singers can come to depend on having the dots in front of them.

These singers may then join a different choir or go to a singing workshop where songs are learnt by ear and sheet music is not available. How do they cope?

photo by Molly Germaine

Last week I wrote about how singers who usually learn by ear can cope when given sheet music. In this post I’ll show you how to cope if you read music and usually learn songs using sheet music, but are asked to learn a song by ear.

How to cope with sheet music if you don’t read and usually learn songs by ear

As promised in last week’s post (Singers who learn by ear vs. those who use sheet music – what happens when they swap?), this is the first of two posts helping you cope with an unfamiliar way of learning songs.

Many people love to sing, but don’t read music. That shouldn’t exclude them from joining choirs or attending singing workshops.

photo by Judy Baxter

In this post I’ll show you how to cope if you don’t read music and usually learn songs by ear, but are asked to learn a song by using sheet music.

Singers who learn by ear vs. those who use sheet music – what happens when they swap?

The Natural Voice Practitioners’ Network (NVPN) has done a great deal to dispel the myth that you have to be able to read music to be in a choir.

photo by Tichonov / Тихонов

There are now plenty of choirs around where people sing and perform to a high standard learning all the songs by ear.

But sometimes a singer who learns by ear might attend a singing workshop where sheet music is handed out. How will they cope?

Help! How to deal with choir members who sing out of tune?

In open-access choirs (which don’t audition), you often find one or two singers who struggle to pitch notes accurately.

photo by Jesus Solana

In a large choir, a few individuals singing out of tune won’t usually notice. But if it does become a problem, here are some actions you can take.

How to set up a choir if you’re not a choir leader PART 2

Last week, Angela Gracey wrote about the first two key stages of the five involved in setting up a choir: getting organised and having a plan.

photo by Joe Strupek

This week she looks at the remaining key stages: finances, finding someone to lead your choir and your first performance and beyond.

How to set up a choir if you’re not a choir leader PART 1

I’ve written before about how to set up your own community choir, assuming that you want to run it yourself.

But what if you’re not a musical director and you want to set up a choir?

photo by Garry Knight

Here’s a guest post by Angela Gracey outlining five key steps to starting a choir. Warning - this venture is not for the faint hearted!

How long is the ideal choir session?

There’s a gig coming up and you’ve still got work to do. Do you keep bashing out the notes until everyone’s perfect or do you rehearse ‘just enough’ and then go home?

photo by Toni Verdú Carbó

Or maybe your choir doesn’t perform. In which case what’s the best length for a really good singing session? One hour? A whole afternoon? An entire day?