It’s your worst fear: despite all your hard work publicising the event, only a handful of people turn up. Or the musical director is taken ill. Or perhaps the venue burns down.
The difficult question is: can you continue or should you cancel? And if you do decide to cancel what’s the best way to do it, and what are the implications? There are no easy answers, but here are some things to consider.
I realised whilst teaching that all the singers had the necessary knowledge already, it was simply a matter of reminding them to put it into practice. I’ll explain what I mean.
We’re always told to focus on the meaning of the lyrics when singing a song in order to communicate it properly and to give some emotion to our delivery.
But what if the lyrics are “lully lullay” or “fa la la” or what if the context seems to contradict the meaning or what if any ‘meaning’ is ambiguous? Then you need to sing your intention. I’ll explain more below.
Whatever kind of choir you run, at some point you’ll have to deal with money. Whether it’s hiring a rehearsal space or paying an accompanist or collecting members’ subs.
I started a brand new project last weekend called Sing Out Saturdays. It’s a monthly drop-in singing session for anyone who loves to sing.
It was quite clear that many people came with little idea of what was going to happen! I thought I’d answer some frequently asked questions about what to expect at one of my workshops.
I’ve written two posts now showing amazing examples of men singing: Part 1 and Part 2 – now it’s time for Part 3. Given that it’s December I thought I’d throw a few seasonal songs in!
My hope is that if men see a huge variety of different kinds of men singing together, they might be inspired to get off the sofa and go and try it themselves.
It’s that time of year again (in case you haven’t noticed). The magazines are full of Christmas present ideas, but they always seem to miss out choir leaders.
Always expect the unexpected. No matter how carefully you’ve planned your choir rehearsal or singing workshop, one day something unexpected will happen.
You can’t plan for every eventuality, but there are some precautions you can take. Here are some ideas.
Singing is all about sound, whether it’s a one-day workshop, a live concert or a CD.
I’m amazed at choir websites, concert promotion and singing workshop publicity which is full of photos, but have no sound clips. If you don’t have sound, you’re missing out.
The rehearsal begins and the Altos looks around in panic: “Where’s Carol?” Carol is a strong, confident singer, but she’s not here this week.
Pieter Bruegel the Elder - The Parable of the Blind Leading the Blind (detail)
The trouble is, the Alto section has come to rely on Carol, and now that she’s not here, they’re all a bit lost. How has this situation arisen, and what can be done about it?
I was trawling through a bunch of choir websites the other day in order to send out some information about a workshop I’m running.
I was amazed how hard it was to contact many of them and in general how badly designed many of the websites were. I’ve come up with 10 mistakes that you should avoid.
Suddenly the song came to life and everyone was energised. Playing some kind of ‘character’ when you’re singing can really enliven your singing. Here’s how ...
Most singers in choirs don’t fit neatly into choral vocal ranges. Yet we try to squeeze them in to our off-the-shelf arrangements, chastising them when they can’t reach the notes.
When you think you’re not singing well, you’ll often blame yourself. But what if it’s something else, something outside yourself that you can fix quite easily?
Here are some reasons why you might not think you’re a good singer and what you can do about it.
Lots of mixed choirs don’t have enough male singers, and many established male voice choirs are not managing to find younger recruits (see my series of three posts Men and singing).
Here are some ideas to help you recruit more men and to get men singing in general.
I bet you think your choir is a wonderful, friendly little community that welcomes newcomers with open arms.
What if I told you that new members might find your choir scary, cliquey and unwelcoming? Maybe it’s time to look at things from a different perspective.
We are not all born equal. Some have longer legs which helps them to win at hurdles or the high jump. Some have longer fingers which helps them to play jazz chords on the piano.
I teach a song by ear in less than an hour at a workshop. Everyone picks it up really quickly and then they sing it brilliantly.
We’ve been working on the same song with my very accomplished weekly choir for quite some time. They really struggle and it’s like plodding through mud. What’s going on here? It’s all about your head getting in the way.
If a singing workshop is just a couple of hours long, then singers’ energy and concentration will probably be fine.
But for workshops which last a whole day, energy, concentration, focus, boredom, etc. all become factors. What’s the most effective way to pace a long singing workshop?
I like being in charge, as do most choir and singing workshop leaders. Our job mainly consists of telling people what to do and helping them to sing the best that they can.
Trouble is it’s easy to forget what it’s like to be on the receiving end of that. Which is why I always try to attend other singing workshops as a normal participant.
Whether it’s bringing up a family or long-term illness or a bad singing experience, many people find it hard to get back into singing when they’ve been away for a long time.
It always amazes me how surprised people are that a group of strangers can sing harmony together in just a few minutes. It’s not necessary to know the other singers to be able to sing well with them, but some people feel that they need to be introduced.
How can you get a group of strangers to get to know each other quickly without taking up too much time? Here are a few ideas.
There are times in most choirs when a soloist or a small ensemble is required. These roles can be allocated by the MD but in many cases singers are asked to volunteer to try out.
Some people run ‘drop-in’ singing sessions. People can drop in on any session they want, there is no commitment and no signing up for a ‘season’
It’s a nice idea: no commitment, no pressure, all very fun, sociable and informal. But there are plenty of good reasons why groups like this are hard to sustain. Here are ten of them.
Whether you sing harmony in a small group or a large choir there are many things demanding your attention: other singers, conductor, audience, your own part, remembering lyrics, sheet music, and so on.
Here are 10 very good reasons why every single man out there should join a choir as soon as they possibly can. Use the hashtag #getmensinging on social media.
Lately I’ve been wrestling with the problem of inconsistent attendance at choir. If not everyone comes each week it’s hard to do any development work and it means I have to keep teaching the same songs again and again.
Jane Christie-Johnston from Tasmania contacted me recently and we had a bit of an email chat. I asked her how she dealt with the challenge, and this post is based on her reply.