The secret world of … Tenors

This is a series of five posts looking in a light-hearted way at the different types of singers in a typical community choir.

Last week it was the Altos, now here are the Tenors. Enjoy!

The secret world of … Altos

This is a series of five posts looking in a light-hearted way at the different types of singers in a typical community choir. 

Last week it was the Sopranos, now here are the Altos. Enjoy!

The secret world of … Sopranos

This is a series of five posts looking in a light-hearted way at the different types of singers in a typical community choir.

First up are the Sopranos. Enjoy!

You can never be too humble to go back to basics

As singers and choir leaders we grow and develop skills over time. We leave behind us things we consider to be only for beginners.

But no matter how elementary something is, we can always learn something new by revisiting it.

Are written lyrics a hindrance or a help when learning a song?

Many choir leaders hand out sheet music or lyric sheets to their singers when teaching a song.

photo by freeimageslive.co.uk - gratuit

But does this do more harm than good? Is it better to learn the lyrics by ear?

The concert was great, so why do I feel like a failure?

Sometimes a performance is a blinder. There is a standing ovation and cries for more.

photo by svenwerk

And yet … it is possible to come away feeling that it’s all gone wrong. How is this possible?

Everything you need to know about choral jargon (but were afraid to ask)

If you’re new to the choral world, you might find some of the terms used a bit unfamiliar.

photo by duncan cumming

Don’t worry, I’m here to help! Here’s a glossary of some of the more common choral jargon.

The good enough singer

Last week I wrote about the notion of being “good enough” and how it could be applied to choir leaders: The good enough choir leader.

This week I want to look at how singers can usefully use this idea.

The good enough choir leader

We all aim to do the best we can. But if we wait until we’re perfect, we’ll never get anything done!

photo by Rich Bowen

It’s OK to be “good enough” at what we do. Here’s why.

What not to do with your head when singing very high or very low notes

It is human nature for our heads to go up and down as we sing extreme notes.

photo by jaime.silva

If a note is very high, we tilt our head up to reach for it. If a note is very low, we tip our head down. Unfortunately, that doesn’t help us to reach those notes. In fact it makes things worse.

5 reasons why every choir concert should include at least one a cappella song

Many choirs use instruments or backing tracks to accompany their singing.

photo by Andrea Pineda

But I believe that you should always programme at least one a cappella song in every concert. Here’s why.

Preparing for a new year of singing: how looking at the past, present and future can help

It’s that clichéd time of year again when people make New Year resolutions.

Whether you do or not, it can be a good time for reflection and to prepare for the year ahead. Here are some ideas that might help.