Starting back to choir after the summer break: 5 relevant reads

This is one of a series of summary posts around a specific topic, bringing together five relevant posts from the past. 

This summary is about the challenges and opportunities of getting back to choir after the long summer break.

Aiming high: trust the process, don’t focus on the goal

There is a big difference between succeeding at all costs and not bothering to make an effort. Neither brings true satisfaction.

The secret is to pitch somewhere in between: to take the work seriously, but to not lose sight of how relatively unimportant it is compared with what else is going on in the world.

How to promote your singing event on social media (and actually get people to come)

I regularly come across social media posts promoting events, but it’s not clear where or when they’re taking place. Or sometimes even what the event is!

photo by Ibrahim

People think just bunging an image of their poster on Instagram will persuade loads of people to turn up to their event. But it’s not that easy. Here’s why.

How to get off the concert treadmill — 8 questions to help give you perspective

Some choirs (believe it or not) are already researching new songs for their Christmas concert repertoire in August. Some even begin rehearsing their Christmas concert in the summer!

If you feel like you’re on an endless concert roller coaster and want to get off, here are some thoughts that may help.

The hidden costs of performing for ‘free’

Has your choir been asked to perform at an event for free? Or maybe you’ve been asked to run a singing workshop for a big corporation for ‘exposure’.

It’s easy for people to imagine that there are no costs involved in doing a bit of singing, but that’s far from the truth.

Who should sing soprano in mixed choirs?

I had an interesting query from someone recently. In their choir, the tenor men sang the soprano part (an octave lower) and the soprano women sang the tenor part (an octave higher).

They asked me if there was any rule in choral music about which gender sang which part.

By letting go of ‘perfect’ you open yourself up to perfection

I used to create a choir from scratch over six rehearsals – all strangers, no auditions. We would then present a concert of the songs we’d learnt. I was always amazed at how good we sounded.

One day one of the participants explained: “There’s no way we’re going to be perfect with so few rehearsals, so we let go of that possibility.”

Singing together is about feeling safe, supported and valued

It seems obvious to me, but I’ve known choirs, singing workshops and singing groups who don’t always work in a safe space.

But how else will you get the best out of singers? Here’s why a safe, supported space is important.

How can a group of “non singers” make such a great sound?

Recently I led a local singing day open to everyone and, as always, we ended up making a great sound.

photo by Paul Baker

But talking to people in the breaks, many of those who came claimed that they couldn’t really sing. What’s going on here?

Vital information when using a new space for singing

I used a new space for a singing workshop recently and realised (too late) that I’d forgotten a few practical things.

photo by Joshua Morley

I thought I’d list some of them here to you can avoid the same mistake.

How can you keep your singers energised?

No matter how engaged your singers are, there will come a time in any rehearsal or workshop when the energy is low.

Time to energise your singers! But how can you do that?

We all fail from time to time – and that’s a good thing

I saw an interview with George Clooney the other day and he pointed out that “You learn nothing from success. You learn everything from failure.”

Fear of failing is what holds people back. Yet failure is how we grow and learn.

Always remember to bring a spare: song, set of lyrics, pen …

No matter how well-prepared we are, there’s always a chance we’ll forget something. 

photo by Kurt Nordstrom

That’s why it’s important to always remember to bring a spare.

5 obstacles that can stop you being a singer — and how to overcome them

Many people would love to sing, but something is holding them back.

Here are five common obstacles that can easily be overcome.

Choir leaders and singers: how do you know when you’re overdoing it and need to stop?

I wrote recently about Why your throat might be sore after singing. One of the reasons can be overuse. You’re just doing too much.

photo by Lee Haywood

But how can you spot when you’re in danger of doing too much so you can stop in time? Here are three ideas that might help.

Fixing a date for your next event – all the things you forgot to think about

I ran a singing day in London recently. I had booked the venue nearly a year in advance. The day went brilliantly with a full house of singers.

What I hadn’t reckoned on was that West Ham had a home game that day so my journey back to Suffolk was a complete nightmare! What can you do to avoid things like that?

Singing without using your voice – a silent technique for rehearsing songs on your own

I’ve caught some bug from all my recent travels and workshops. I have a sore throat amongst other things. 

But I have a whole weekend of singing to prepare for and need to sing through the arrangements. What can I do?

Learn to harmonise using your favourite domestic appliance!

I was singing along with my electric shaver the other day – as you do.

I realised that it was a great way to explore harmonising in the privacy of your own home.

Why is my throat sore after singing?

I ran a full day of singing last Saturday. At the end, a few people came up to say that their throats hurt.

Let’s look at why this might be and how you might avoid it.

Toxic choir (and committee) members – how to stop them spoiling it for others

Many of the queries I get sent concern ‘toxic’ choir members. People who disrupt things and spoil it for others. 

photo by eek the cat

I thought I’d look a bit deeper into what’s going on and consider what you can do.

The 3 steps to becoming a singer: bonus step — RELEVANT READS

I’ve now outlined all three steps to becoming a singer: 1: sing, 2: join a choir and 3: be self-aware.

image by rawpixel.com on Freepik

Now here is a bonus fourth step: relevant posts from the archives.

The 3 steps to becoming a singer: step 3 — SELF-AWARENESS

In the last two posts I’ve outlined step 1 and step 2 to becoming a singer.

Now it’s time for step 3 to help you grow and develop as a singer.

The 3 steps to becoming a singer: step 2 — JOIN A CHOIR

Last week I wrote about the first step to becoming a singer.

photo by Rex Pe

You need to actually start singing! Now here’s step 2.

The 3 steps to becoming a singer: step 1 — SING!

People often ask how they can become a singer.

Here are three simple steps to follow. Results guaranteed.

Why does it take me so long to learn a song? Everyone else seems to pick it up fast.

People often write to me asking me why it takes them ages to learn a song.

photo by matea2506

They think it might be due to age, dyslexia, or all manner of other ‘problems’. But it’s probably simpler than that.

Moving outside your comfort zone – comfortably

My partner is always sending me videos with ideas for singing warm ups, usually involving complex clapping or stepping.

I tell her that they will be too difficult for the singers I work with. But am I being too safe and under-estimating the singers’ abilities?

Choir leaders: are you being too nice to your singers?

Sometimes an individual choir member needs to be told that they’re getting it wrong. 

photo by Ondřej Lipár

In our attempt to not be unkind, we can sometimes end up being too nice, which is not helpful.

Why singing together is magical and unique

There is something special about a group of people singing together.

photo by Jason Paris

And it’s not just about sense of community and the health benefits. It really is a unique activity.

Looking after your own needs in a choir: don’t be a sheep

We went to the theatre the other day and we were the only people in the audience wearing masks.

photo by Nigel Mykura

But in all other ways, we were exactly the same as any other audience member. The same, but different.

My friend wants to be a professional, but can’t sing in tune — should I tell them?

Lots of people often tell me a similar story: someone they know is planning to go professional, but they can’t sing in tune.

Should they be told, or be allowed to make a fool of themselves in public?

When is a song ‘inappropriate’ to sing?

Not all songs are appropriate to sing in all circumstances.

But how do we know when a song is ‘inappropriate’? Here are some guidelines.

Looking for new warm up ideas? Don’t dismiss the old and familiar

I’m always looking for new ideas for the warm up start of my singing sessions.

But constant novelty is not necessarily a good thing. It can often lead to overlooking old, familiar, tried and tested exercises.

Changing your choir members’ payment system

I wrote an earlier post about different choir payment systems: Pay as you go or regular fee upfront – what is the best system for singers in your choir?

photo by Nick Youngson CC BY-SA 3.0 Alpha Stock Images

What if you want to change from one system to another? How can you make it as pain-free and simple as possible?

Need some motivation? Create a deadline and let everyone know!

It was blue Monday this week: apparently the most depressing day of the year here in the UK.

The short days, bad weather, cold nights, all conspire to rob us of our motivation. Here’s an idea that might help.

What is ‘community singing’? — an attempted definition by Liz Rog: part 2

A couple of months ago I wrote a post entitled What is a ‘community choir’?

Now it’s the turn of Liz Rog to attempt a definition. Last week was part 1, now this is part 2.

What is ‘community singing’? — an attempted definition by Liz Rog: part 1

A couple of months ago I wrote a post entitled What is a ‘community choir’?

Now it’s the turn of Liz Rog to attempt a definition.

There is no ‘right’ time for taking stock, but it’s important to do so from time to time

Many people use the New Year as a trigger to set themselves goals for the future. And many people fail by being unrealistic.

Whether that’s you or not, it is vital to take stock from time to time, even if it’s not at New Year.

The Sheffield carols

What could be more true to the spirit of Christmas than standing in a crowded pub and singing Christmas carols?

photo by Delaina Haslam

Especially if the tunes are only to be heard in a few towns and villages near Sheffield, in South Yorkshire.

If you don’t know the songs that well, should you sing in your next concert?

We’ve all been there: a big concert is coming up and we feel under-prepared.

photo from depositphotos.com

Should we just duck out, or soldier on and busk it? Here’s what I think.

How to look after your voice (especially in the winter): 5 relevant reads

This is one of a series of summary posts around a specific topic, bringing together five relevant posts from the past. 

This summary is all about looking after your voice, especially in the winter months or when you have a busy concert season or if feasting is involved.

Why I write my blog “From the front of the choir”

I started this blog way back in December 2006. That’s 17 years of weekly blog posts!

I thought I’d make a little video to let you know why and how I got started.

How to get on with things when you’re just not in the mood

I’m not in the mood to write this blog today. But I need to.

How can you get on with things when you’re just not in the mood?

Pay as you go or regular fee upfront – what is the best system for singers in your choir?

Many choirs charge their members as and when they turn up: a pay as you go system.

photo by freeimageslive.co.uk - lensicle

But there are disadvantages to that approach, so other choirs operate a lump sum in advance system. Let’s look at the pros and cons of these and which might suit your choir best.

Problems arising when men and women sing the same pitch: 5 relevant reads

This is one of a series of summary posts around a specific topic, bringing together five relevant posts from the past.

This summary is about the difficulties and apparent strangeness of men and women singing the same pitch together.

What is a ‘community choir’?

The term ‘community choir’ is used a lot, but what does it actually mean?

There is no single definition, but I thought I’d look at some common characteristics.

Why harmony singers are (usually) lovely people

Not everyone likes to sing in harmony with others, but those who do are often really nice people.

photo by Richard Foster

Why is that? And is it a universal truth?

How to find specific topics on this blog

I’ve written over 900 articles on this blog since I started in December 2006.

photo by Bram Cymet

That’s a lot of information to wade through! Here’s a short guide to help you find what you’re looking for.

If it hurts to sing, then stop!

Often a singer will come up to me in a session and tell me their throat is hurting. I usually tell them to stop singing. 

photo by Marco Verch Professional Photographer

In this post want to look at what might cause pain or discomfort when singing and what you can do about it.

Why I became a choir leader

People often ask about my background, assuming that I have a musical education.

They are rather surprised when I tell them that my training is as a computer scientist, but I then spent over 20 years as a theatre maker and performer. So how did I end up as a choir leader?

Why your concert publicity isn’t working

We all want audiences at our concerts, so we have to let people know about them.

I’ve seen so many bad examples of concert publicity recently, I thought I’d write a few tips.